Word: photojournalists
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Dates: during 1980-1989
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...fact, they knew they had the best job in the world. No matter what, there is nothing a photojournalist would rather do than look at the world around him and take pictures of it -- pictures of living history, which means, especially, pictures of human behavior. If he doesn't get a thrill out of that job, if he doesn't wake every morning with excitement and go out with his cameras hanging on him like a gold prospector with his rock hammer in hand, % he's no good. Over the years some photojournalists have said to me, "if they didn...
...dawn of the 1950s, the photojournalist was monarch of all he surveyed. No medium other than photojournalism challenged the status of the great picture magazines like LIFE and Look. The best photojournalists who survived World War II and then Korea were acknowledged giants. The 1947 founding of the photographers' cooperative Magnum had established the principle that picture takers should own the rights to their work. (Previously, rights had belonged to whoever commissioned a project.) Photojournalism could even claim a | theoretical foundation, as in Henri Cartier-Bresson's idea of the photographer as instant organizer of reality...
...leads a crime wave, concocting a formula to be injected into cosmetics that twists the victim's face into the Joker's awful leer. Soon Gotham is a city of the grinning dead, and only Batman can revive it, with the help of Vicki Vale (Kim Basinger), frontline photojournalist and all-time fabulous babe...
...through her friendships with Naranjo and with Rolf Carle, an Austrian photojournalist, that Eva becomes involved in a guerrilla uprising. And it is Carle who further convinces Eva to use her skills as a storyteller to expose the government's corruption...
Because of his later reputation as a photojournalist and the co-founder of the Magnum photo agency, it is easy to forget Cartier-Bresson's debt to Andre Breton, surrealism's chief standard-bearer and truest believer. Breton and his circle of poets and artists wanted to revolutionize both consciousness and society through the purposeful absurdities of the unconscious. To dislodge conventional habits of mind, they practiced unpremeditated methods of creation, "unguided" sketching and automatic writing. Moved by their example, Cartier-Bresson realized that his Leica was the most automatic art instrument of all, one that could make split-second...