Search Details

Word: phrased (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...threatened to jail both women. Michigan's court of appeals last week ordered Judge Kelley to wait while it pondered an American Civil Liberties Union brief defending Van Hattum's position as a "fundamental right." The trouble is that the Constitution no where mentions the key phrase secret ballot...

Author: /time Magazine | Title: Americana: A Bold Vote for Privacy | 10/24/1977 | See Source »

...constantly repeated phrase: "Like blowing up a balloon...

Author: /time Magazine | Title: Music: Podium Patter | 10/24/1977 | See Source »

Like Casals, Slava is an unabashed romantic. Cradling his Strad between his legs?or, more precisely, embracing it?he seems to pour his Russian soul into every phrase, bowing long, singing lines with a subtle eloquence and a purity of tone. His technique is flawless. Modern composers lay finger-mangling minefields in the thickets of their pieces, but Rostropovich negotiates them with cheerful ease. "I don't even know why my hands do certain things sometimes," he says. "They just grab for the notes." His dynamic range, from the greatest fortissimo down the line to a pianissimo that comes...

Author: /time Magazine | Title: The Magnificent Maestro | 10/24/1977 | See Source »

...debating point, and perhaps unresolvable. Admiringly, Conductor Seiji Ozawa says that "Slava I doesn't interpret, he feels. His music is really his character. He is conducting his life." His performances of the Schubert Sonata for Arpeggione and Piano and the Schumann Cello Concerto are typical. The phrasing and pastels of dynamics in the Schubert expose a bold lyricism that would have astonished?but probably pleased?the composer. As for the Schumann, Leonard Bernstein, who recorded the piece with Rostropovich, confesses that he would just as soon not do it again in quite the same fashion. "Slava takes enormous freedoms...

Author: /time Magazine | Title: The Magnificent Maestro | 10/24/1977 | See Source »

...effect was just what the Crosby sound needed. In earlier work he sang with much jazzier effects. An artist in search of a personal style, he listened hard to Al Jolson, Mildred Bailey and Louis Armstrong. Finally Bing developed that mellifluous tone, a mere phrase of which causes millions of Americans to imagine the gold of the day meeting the blue of the night. Here was the voice that has sold more records than any other on earth save that of Elvis...

Author: /time Magazine | Title: Show Business: Sweet Singer For All Seasons | 10/24/1977 | See Source »

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