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...true for “River of Breaklights,” in which Casablancas mindlessly chants, “Getting the hang of it, timing is everything,” over a generic, messy background of drums and guitar. Casablancas holds to the false impression on “Phrazes?? that a fast tempo alone always conveys a sense of urgency or energy. He fell victim to similar problems on his later Strokes songwriting—think “Juicebox”—and has failed to correct such issues. “Brakelights?...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Julian Casblancas | 11/6/2009 | See Source »

...moments that Casablancas breaks free of midtempo rock and experiments with his sound that “Phrazes?? truly shines. “11th Dimension” is undoubtedly the finest track on the album: an ’80s new-wave homage recalling the post-punk roots of New Order, “Dimension” showcases Casablancas truly having fun, as he gleefully exclaims “I got music coming out of my hands and feet!” Similarly experimental, the bluesy “4 Chords Of The Apocalypse” opens...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Julian Casblancas | 11/6/2009 | See Source »

Casablancas’ solo debut is a confusing experience. Despite running 40 minutes, “Phrazes?? is a mere eight tracks. Consequently, the album feels too short while most of the tracks feel too long. His output is erratic: “11th Dimension” and “Left and Right in the Dark” stand among his finest work, while the rest of “Phrazes?? suffers from a lack of creative inspiration. Casablancas’ solo effort proves that the Strokes truly were greater than the sum of their...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Julian Casblancas | 11/6/2009 | See Source »

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