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...PIANIST. Adrien Brody’s magnetic, largely silent performance in Roman Polanski’s Holocaust drama almost compensates for The Pianist??€™s inconsistent tone and distasteful political sensibilities. Brody’s Wladek Szpilman, who could hardly have picked a worse time and place to be Jewish, transforms from cocky concert pianist to starving phantom hunted by Nazis after escaping death in the bombed-out ghetto. The film soars briefly as it reflects on the redemptive power of music and the Szpilman’s commitment to survival; it stumbles badly in its misleading depiction...

Author: By The CRIMSON Staff, CRIMSON STAFF WRITER | Title: HAPPENING :: Events Feb. 7 - Feb. 13 | 2/7/2003 | See Source »

...past, directors have tended to be nominated if their film makes the Best Picture slate, and this year will likely see that trend continue. Gangs of New York’s Martin Scorsese, Chicago’s Rob Marshall, The Pianist??€™s Roman Polanski, The Hours’ Stephen Daldry and The Lord of the Rings: The Two Towers’ Peter Jackson will most likely make the category. The category’s underdogs are led by Adaptation’s Spike Jonze, Far From Heaven’s Todd Haynes and About Schmidt?...

Author: By Benjamin J. Soskin, CRIMSON STAFF WRITER | Title: Oscar Preview | 2/7/2003 | See Source »

...PIANIST. Adrien Brody’s magnetic, largely silent performance in Roman Polanski’s Holocaust drama almost compensates for The Pianist??€™s inconsistent tone and distasteful political sensibilities. Brody’s Wladek Szpilman, who could hardly have picked a worse time and place to be Jewish, transforms from cocky concert pianist to starving phantom hunted by Nazis after escaping death in the bombed-out ghetto. The film soars briefly as it reflects on the redemptive power of music and the Szpilman’s commitment to survival; it stumbles badly in its misleading depiction...

Author: By Crimson Arts, | Title: HAPPENING - Jan. 10 to Jan. 17 | 1/10/2003 | See Source »

...kicking into sizzling Latin mode with a cut from his new album A.S., dedicated to Arturo Sandoval. Here the rhythm section began to show its chops. The percussionists (drum and conga players) performed a rocking and driving solo that got the previously staid audience vibrating in their seats. The pianist??€”playing on a Yamaha with a sound as bright as its polished finish—thumped out a series of chromatic arpeggios that got the audience pumping. But the peak was naturally Frankie’s sharp and tuneful playing that served to spike the cocktail...

Author: By Evan Lushing, CONTRIBUTING WRITER | Title: Frankie V: One Smooth Dude | 2/15/2002 | See Source »

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