Word: pianist
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Dates: during 1970-1979
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Hancock is a complex pianist; a pioneer in electric piano who earned his reputation on the acoustical ivories. He is topnotch on both, but I have always preferred his soft Maiden Voyage stuff to his more recent-jazz synthesis. But I'm in the minority on this point...
Event number one, beginning Thursday at 8, features saxophonists sonny Rollins, Gato Barbieri and pianist Herbie Hancock. The mixture is an odd but pleasing one. Rollins is one of the few traditional saxophonists around. Longregarded as a pioneer in the late 50's, Rollins was subsequently blown-out by the great Coltrane and went into semi-retirement. He's back on the scene now--some say as forceful as ever. He is not very innovative, but he has complete mastery over the saxophone as no other has. Gato Barbieri is still getting praises for his rock-jazz-orchestra synthesis Caliente...
...Orchestra almost requires two different reviews. The HRO, conducted by James Yannatos, put together a program of Berlioz, Shostakovich, and Brahms on Saturday night with greater fluency and strength than they have exhibited in several years. However, what really packed Sanders Theatre to overflowing proportions was the trio of pianist Richard Kogan, violinist Lynn Chang, and cellist Yo-Yo Ma, who performed on what must be described as a musical level comparable to the world's best...
...power fell by the wayside. In particular, concertmaster Michael Harris showed little aptitude for his post, combining lackluster solos with bowings that evidently left the first violins non-plussed. Despite impressive third movement efforts by trumpeter Norman Birge and oboeist Jack Klebanow and crisp second movement development work by pianist Judy Kogan, the winds were swept along by the tide of mediocrity, while the percussion section combined poor placement (along the left wall of the Sanders stage) with ill-chosen dynamic levels...
...lobbies. Meetings were held in the dazzling, just finished $125 million convention center. To keep the finance ministers and bankers amused between sessions, Marcos and his wife Imelda also brought in an exhibit of ancient Egyptian treasures, the Soviet Union's Bolshoi Ballet and, from the U.S., Pianist Van Cliburn and Metropolitan Opera Soprano Montserrat Caballe. Even the shanties in the city's slums were freshly whitewashed for the occasion. "It is our hope," Marcos cracked at one dinner for IMF and World Bank officials, "that all this does not disqualify us from seeking...