Word: pianist
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Dates: during 2000-2009
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Newcomers to Broadway usually need a veteran hand to guide them along. Harry Connick Jr., like Mel Brooks, has grabbed hold of the best. The jazz singer, pianist and sometime actor is making his theater debut as the composer and lyricist for the new musical Thou Shalt Not. The show's director--and the reason it's the fall's most eagerly anticipated musical--is Broadway's current miracle maker, director-choreographer Susan Stroman, who won a Tony for staging Brooks' The Producers. It's not hard to see what attracted Connick to the show: it's an adaptation...
...serves up five standards, six strong originals and a blues, performed in a blunt, bracing style full of sharp corners and spicy chords and often startlingly reminiscent of his no-nonsense horn playing. What took him so long? You don't need to be a full-time pianist to revel in the part-time playing of this switch-hitting jazz master...
...first time was uneventful. I was too scared to drive the boat for more than five minutes, but I tried to glean wisdom by listening. The second person to take me sailing was a concert pianist in his mid-30s. After praising my nascent sailing ability, he asked to exchange emails, so he could continue to give me lessons. I hesitantly agreed, promising myself that I would “lose” his email address as soon as I left the boathouse. Unfortunately, he began to email me. At first it was just to see when I would...
What juggernaut could possibly have kept P. Diddy's The Saga Continues out of Billboard's top album slot this week? The answer is ALICIA KEYS, 20, whose Songs in A Minor is the musical surprise of the summer. Keys, a classically trained pianist, describes her sound as "Beethoven meets Wu-Tang, with a lot of soul." Besides reaching record buyers, she also grabbed Prince's attention with a cover of his B-side chestnut How Come U Don't Call Me Anymore? "He invited me down to perform at this festival he just finished putting on in Minneapolis," says...
...about lighting, sets, costumes, you name it. Even when she was growing up in Wilmington, Del., whenever she heard music, she would picture hordes of people dancing through her head. Her biggest influences back then were the old black-and-white Fred Astaire movies. Her father was a great pianist, and Shall We Dance? and The Gay Divorcee were treated as works of art in her house. Those are movies that really blow the dust off your soul and wake you to the joy of life. It's that sense of joy that is at the very heart of Stro...