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Chopin: Chopin (Pianist Vladimir Horowitz; RCA); Concert Favorites (Pianist Vladimir Horowitz; RCA). Released for Horowitz's golden jubilee year, both records are selections from mono collections compiled over three decades. Chopin's demanding B-flat-minor sonata, a Horowitz signature, is here. The Favorites album shows Horowitz's quieter side, with such masterly but unpretentious works as Scarlatti's Sonata in E-Major and Mendelssohn's Variations Sérieuses. Even without stereo tracking, the playing here is what Horowitz fans expect: the best...

Author: /time Magazine | Title: Music: Classic and Choice | 6/26/1978 | See Source »

...smile." He argues that "light verse need not be funny, but what no verse can afford to be is unfunny." He stresses the technical hurdles that the light poet must erect and then clear; since he is up to something trivial, the artist must do it perfectly. "A concert pianist," Amis writes, "is allowed a wrong note here and there; a juggler is not allowed to drop a plate...

Author: /time Magazine | Title: Books: An Unapologetic Anthology | 6/12/1978 | See Source »

...least one of the honoraries usually goes to a prominent figure in the arts. Dancer Martha Graham and pianist Arthur Rubinstein seem like good bets to pick up parchments...

Author: By Bro. IGNATIUS Dooley, | Title: Rampant Speculation Continues Over Choices for Honoraries | 6/7/1978 | See Source »

...where his father was a pastor of the Abyssinian Baptist Church, the establishment that Adam Clayton Powell Jr. later made famous. He started playing the harmonium when he was six, and his proud father took him to Carnegie Hall to hear Paderewski, hoping that Fats would become a classical pianist. Waller had other ideas, however, and when he was in his teens, he fell under the tutelage of Willie ("the Lion...

Author: /time Magazine | Title: Show Business: Harlem's Sultan of Stride | 6/5/1978 | See Source »

...with the Berlin Philharmonic at the age of twelve, playing Beethoven's Third Piano Concerto, then completed a string of European tours over the next five years. Along the way, he happened upon the work of Liszt, then out of fashion. The great romantic, perhaps the most dramatic pianist of all time, became Nyiregyházi's mentor and model. "It was like discovering a new world," he says. "Such lyrical and dramatic intensity, such emphasis on the grandiose and imperial...

Author: /time Magazine | Title: Music: Nine Wives and 700 Works Later | 5/29/1978 | See Source »

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