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BRAHMS: Piano Concerto No. 1 (Pianist Emanuel Ax, Chicago Symphony Orchestra, James Levine, conductor; RCA). The culmination of Brahms' early style, the D minor concerto began life as a sonata for two pianos; ever the perfectionist, Brahms transformed it into a symphony before finally discovering that what the music really wanted to be was a piano concerto. This rawboned yet ardently romantic piece gets a grand reading from Ax and Levine. But they never get so concerned with profundity that they forget that it is, after all, the work of a 25-year-old still finding his way. Particularly...

Author: /time Magazine | Title: Music: Obscure Bits and Greatest Hits | 9/17/1984 | See Source »

...sperm, he argued, - implied a contract. Somewhat to the surprise of legal experts, the court last month agreed, ruling that this "secretion containing the seeds of life" should be given to Parpalaix. "I'll call him Thomas," she said of her prospective infant. "He'll be a pianist. That's what his father wanted...

Author: /time Magazine | Title: Medicine: A Legal, Moral, Social Nightmare | 9/10/1984 | See Source »

Beethoven: Violin Concerto (Violinist Gidon Kremer, Academy of St. Martin-in-the-Fields, Neville Marriner, conductor; Philips). Chopin: Piano Concerto No. 2 (Pianist Ivo Pogorelich, Chicago Symphony, Claudio Abbado, conductor; Deutsche Grammophon). These concertos, featuring two electrifying performers, are of unusual interest. Pogorelich has technique and temperament in equal measure; right from the piano's cascading entry, this is hot-blooded, Russian-style Chopin, more than a continent removed from the genteel salons of 19th century Paris. The Kremer-Marriner partnership in the Beethoven results in an elegant performance deliberately at odds with the customarily virtuosic way of viewing...

Author: /time Magazine | Title: Music: Some Classic Small Packages | 7/23/1984 | See Source »

...Access entry on the design of the Waldorf-Astoria hotel ("an understated and elegantly detailed composition") reports such esoteric details as the underground railroad station from which Franklin Roosevelt was whisked to his suite by a secret elevator. The books abound in learned footnotes and pleasant trivia (the pianist at the Waldorf's Peacock Alley uses an instrument once owned by Cole Porter, who lived in the hotel). New York restaurant critiques, by Daily News Food Editor Arthur Schwartz, are deft and sometimes devastating. At the toplofty "21" Club, the guide observes, "it is surprising how democratic the cooks...

Author: /time Magazine | Title: Living: Access Reinvents the Guidebook | 6/18/1984 | See Source »

DIED. Gordon Jenkins, 73, pop-music arranger and conductor whose shimmering, swirling string backgrounds enhanced the performances, on records and TV, of such stars as Judy Garland, Peggy Lee and Frank Sinatra; of amyotrophic lateral sclerosis (commonly known as Lou Gehrig's disease); in Malibu, Calif. Pianist Jenkins started composing and arranging with the Swing Era's big bands, wrote Benny Goodman's closing theme, Goodbye, and won a Grammy Award for his stylish 1965 arrangement of Sinatra's It Was a Very Good Year...

Author: /time Magazine | Title: Milestones: May 14, 1984 | 5/14/1984 | See Source »

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