Word: pianistically
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Miles Davis may have heard it coming, or surely sensed it. Down in New Orleans in the mid-'60s, he was saying hello to a widely regarded jazz pianist, Ellis Marsalis, who was playing behind Al Hirt. Marsalis had a little boy of six named Wynton at home, and Wynton had an older brother named Branford, who was playing both clarinet and piano by the time he reached second grade. Feeling a few faint nudges of paternal concern that Wynton not fall behind in the musical Futurity Stakes, Ellis hit Hirt for an advance to finance the purchase...
...What finer homage to Pianist Arthur Rubinstein on reaching 92? For 17 hours Radio France broadcast Rubinstein's greatest performances, followed by a live concert at Paris' Theatre des Champs-Elysees programmed by the maestro himself. "Composing a concert is like composing a menu," he announced, explaining his choices of Debussy, Bach, Rachmaninoff, Mozart and Schubert. "I believe in musical digestion. If you start with light pieces and play a 45-minute sonata after the interlude, it's like starting dinner with hors d'oeuvres and dessert and finishing with a Chateaubriand and vegetables." 1980: Life...
...poor musician, authentic instruments now attract performers of international caliber: Dutch Violinist Jaap Schroder, who collaborated with Hogwood on the Mozart symphony series, the English Concert's Pinnock, a top-notch harpsichordist whose reading of Bach's Goldberg Variations is perhaps the most convincing on discs; American Pianist Malcolm Bilson, one of the leading exponents of classical keyboard music, which he plays on the fortepiano, a predecessor of the modern instrument. "Everybody understands that there must be different sopranos for Mozart and Wagner," says Bilson, explaining the desirability of matching instrument to composer. "It has nothing...
They didn't laugh when he sat down at the Steinway, but then for a change, they weren't supposed to. Last week Dudley Moore, 48, made his Carnegie Hall debut as a full-dress, classical pianist. Joining his friend, Violinist Robert Mann, 62, Cellist Nathaniel Rosen, 36, and the St. Paul Chamber Orchestra under the baton of Conductor-Violinist Pinchas Zukerman, 34, Moore offered a sensitive, well-paced performance of Beethoven's Triple Concerto. And he played it straight, until the very end. Then, just before heading offstage for a congratulatory hug from his longtime squeeze...
Music, not pageantry, catalyzed Balanchine's art. Some choreographers view music as a necessary evil, and blithely pillage masterworks to accompany their dances. Balanchine, a conservatory-trained pianist who might have had a concert career, was far more respectful. Watching him rehearse once. Martha Graham observed: "It's like watching light pass through a prism. The music passes through him, and in the same natural yet marvelous way that a prism refracts light, he refracts music into dance...