Word: pianistically
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...debut in Texaco Star Theater; in Los Angeles. DIED. DUDLEY MOORE, 66, British comic actor, musician and star of stage and screen best known for the 1960s act Beyond the Fringe, as well as the films 10 and Arthur; in Plainfield, New Jersey. A talented classical and jazz pianist, the diminutive Moore once said, "If I'd been able to hit someone in the nose, I wouldn't have been a comic." DIED. DOROTHY DELAY, 84, renowned violinist and instructor of some of the finest players to have emerged in the past 30 years; in Upper Nyack, New York. Educated...
...Walk On Me” to rock with “Commerce, TX”, effectively defying categorization. Some songs, particularly “Wasted and Ready” are reminiscent of Weezer, but the most apt comparison is to singer-pianist Ben Folds, particularly on piano-dominated songs like “In Other Words.” Although Kweller is gentler to his piano and his vocals are less jarring than Folds’, their voices sound similar and both use a wide-range of musical styles...
...compulsory short program: a once-over-lightly reprise of her hits from stage (Fiddler on the Roof, Mame) and TV (Maude, The Golden Girls); a funny anecdote about each of the famous people she's worked with (Lotte Lenya, Tallulah Bankhead); and stilted "extemporaneous" banter with her pianist, Billy Goldenberg. The audience leaves to the accompaniment of the theme song from Maude but learns virtually nothing about...
Violinist Jennifer Myung ’02, cellist Laura Bacon ’02 and pianist Jason Leekeenan ’02 inaugurated Harvard Radio WHRB’s new “Live From Cabot House,” a bi-weekly series of live performances Sunday afternoons designed to give greater exposure to undergraduate classical and jazz performers on campus and throughout the Greater Boston area...
After intermission, pianist Konstantin Lifschitz performed Brahms’ First Piano Concerto. This was 25-year-old Lifschitz’s overdue Boston debut but the result was somewhat disappointing, especially after such an explosive first half. When Lifschitz released his recording of Bach’s Goldberg Variations at the age of 16, he drew comparisons with the great Glenn Gould. One could also make an association with Gould based on his Brahms performance: both pianists took the work at almost unbearably slow tempi. Unlike Leonard Bernstein, who performed the work with Gould in 1962, James Bolle...