Word: pianistics
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Dates: during 1960-1969
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...sunny afternoon in Manhattan's Central Park, Denmark's visiting King Frederik IX and Queen Ingrid appeared with Danish-born Pianist-Funnyman Victor Borge beside a statue of Denmark's greatest teller of fairy tales, Hans Christian Andersen. Borge, wearing half-spectacles "for very short stories.'' read two Andersen tales to some 100 bemused tots. The children could not quite feign indifference to a real King and Queen, and at one point a local lad asked chainsmoking Frederik pointblank: "King, where is your crown? I thought all Kings wore crowns." Affable Frederik explained that...
...Words. The author's heroine is shatteringly beautiful, amoral, narcotically charming, and men queue up to destroy themselves for her. Such a description might come from any dust jacket, but Novelist Ashton-Warner's portrait is all but unique. Germaine de Beauvais. a young Parisian concert pianist who exiles herself to New Zealand after the death of her husband, is a woman as convincingly evoked as Emma Bovary or Molly Bloom. The narrative is a first-person reverie; a stream of consciousness, then a torrent, then a willful, feminine shutting down of thought. Germaine is mirrored...
Composers used to like nothing better than to sit down at the harpsichord or pianoforte and improvise on their own works. Bach, Handel and Beethoven were as well known for their improvisations as for their written compositions. Now Composer-Pianist Lukas Foss, 38, is contriving, with the help of a $10,000 Rockefeller grant, to put the long dead custom back into classical music-and make it an en semble...
...group of composer-performers, known as the Improvisation Chamber Ensemble, appeared at Carnegie Hall last week with the visiting Philadelphia Orchestra to display their technique in somewhat elaborated form. Their scheduled piece, certainly the oddest they have yet attempted, was titled Concerto for Improvising Solo Instruments and Orchestra. Pianist Foss and his men-flute, cello, clarinet and percussion-were ranged downstage in front of the orchestra, and Conductor Eugene Ormandy only rarely cast a nervous backward glance at them...
...haired Gregory Millar used to appear with his friend Mort Sahl, belting out pop songs in a voice vaguely reminiscent of Mario Lanza's. At the New York Philharmonic's first Saturday-night concert, Tenor Millar was sitting in a box at Carnegie Hall listening to Conductor-Pianist Leonard Bernstein conclude a fal tering performance of Beethoven's Piano Concerto No. 1. Minutes later, and without warning, Millar was on the podium conducting the Philharmonic himself...