Word: pianistics
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Dates: during 1960-1969
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...Every pianist, violinist and 'cellist with a yen for chamber music has at one time or another chugged through the Schubert Piano Trio No. 1 in B-flat. It's hazards of technique and intonation are notorious, but somehow the beauty of the work transcends the most adverse of circumstances and comes through in spite of wrong notes, shaky ensemble, and sick intervals...
...Angel label, it has sold 15,000 copies in six weeks. Menuhin plays two ragas worked out by Shankar (the rest of the album is given over to a solo by Shankar and a performance of Enesco's Sonata No. 3 by Menuhin and his pianist sister Hephzibah). On the first, a violin solo, Menuhin spins out a contemplative opening cadenza, progresses to some pizzicato syncopations, then, over the pitty-pat of tabla (drums), skips and slides through a series of jaunty embellishments on the theme. On the second, he and Shankar engage in a long, rousing call...
...cigar clenched between my teeth, my derby tilted back, knees crossed, and my back arched at a sharp angle against the back of the chair. I'd cuss at the keyboard and then caress it with endearing words; a pianist who growls, hums, and talks to the piano is a guy who is trying hard to create something for himself...
...stride stylists influenced a line of jazz pianists from Duke Ellington and Count Basic to such modernists as John Lewis and Theolonious Monk. Yet the stride heritage is waning fast, and the Lion is as outspoken on the subject as he is on everything else. "A good many modern pianists," he snorts, "tinkle with their left hand while their right is going nowhere. Modern style, they call it; I call it cheating." But of course he is prejudiced. "There's nothing more beautiful," he believes, "than a two-fisted pianist...
...philosophy of the Harvard Summer Concert Series seems to consist of indulging its audiences with the familiar while at the same time requiring that it ingest increasing amounts of the new and not so easily palatable. Pianist Leonard Shure opened the series with a completely traditional program of Chopin, Schubert and Beethoven; a week later Jamie and Ruth Laredo deferred to general taste with Bach and Beethoven, but managed to sneak in the somewhat post-Romanticist Sonata Concertante of contemporary Leon Kirchner; last night violinist Felix Galimir and his chamber ensemble (one almost expected the program to read "Felix Galimir...