Word: pianistics
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...core values: master the instrument, study the greats such as Monk and Ellington and dress and comport yourself with the dignity the music deserves. Though the battle for the music's soul goes on, the success of other young jazz stars in the '90s, from saxophonist Joshua Redman to pianist Eric Reed, is proof of Marsalis' influence. "I've played 150 concerts a year for 15 years," he says. "It helped to rebuild the jazz audience. Younger musicians see you play, and they get inspired to practice. Older musicians, maybe their confidence has sagged a little, see the younger generation...
...composer Schifrin won two Grammy awards. TV themes--like those from Mannix and Medical Center--have been just one outlet for Schifrin; his works also include symphonies, operas and jazz compositions. A native of Argentina, he was brought to America in 1960 by Dizzy Gillespie to serve as his pianist and arranger. A Hollywood contract for The Cincinnati Kid followed in 1964, the first of countless film scores. Schifrin continues to adhere to a daily practice and composing schedule. Next week he releases a new album, Firebird: Jazz Meets the Symphony No. 3, featuring a new version of the Impossible...
...Billy Graham's Manhattan crusade last year, Van sang in the Madison Square Garden choir...Buffalo Philharmonic Conductor Josef Krips recalls the time that Van came into his dressing room before a performance and said, 'Maestro, let us pray.' Krips, a Roman Catholic, dropped to his knees with the pianist. Said Van: 'God give us his grace and power to make good music together...
...Angeles, the conductor comes from a theatrical background. His grandparents Boris and Bessie Thomashefsky were stars of the Yiddish theater in New York City, and young Michael grew up in a musical household. Boyhood piano lessons were followed at the University of Southern California by studies with pianist John Crown and composer-conductor Ingolf Dahl, a summer stint as an assistant at the Wagner Festival in Bayreuth in 1966, and an appointment as William Steinberg's assistant at the Boston Symphony Orchestra three years later...
Allen has been smart enough to surround himself with experienced professionals--Davis, cornetist Simon Wettenhall, trombonist Dan Barrett, bassist Greg Cohen, drummer John Gill and pianist Cynthia Sayer--who provide strong, sensitive backing to his clarinet leads. For more than two hours the band runs through an eclectic repertoire ranging from Dixieland standards and blues to pop and gospel numbers. There are few concessions to showmanship: Allen keeps his eyes closed and legs crossed most of the time, and his stage costume consists of the usual baggy green corduroys, plaid shirt, gray cardigan and the trademark black-rimmed glasses. Which...