Word: pianistics
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...Like a rendezvous with old friends, cellist Gavriel Lipkind and pianist Claudia Schellenberger effortlessly connected through the musical phrases of composers who were diverse in background and style. Ultimately, the palpable bond between the two well-known German performers made the concert exceptional...
...Schellenberger, too, was poised throughout the program—and entirely in harmony with Lipkind. Her masterful arpeggiated chords in “Sonata for Violin and Piano in A Major (1886)” by Franck would put any other pianist in awe of her abilities. The light treble notes that introduced Debussy’s “Sonata for Cello and Piano (1915)” and the articulated, precisely abrupt rests of Anton Webern’s “Drei Kleine Stücke, Op. 11 (1914)” showed she was at home...
...Following a brief intermission, the program traveled back 100 years to Ernst von Dohnányi’s “Piano Quintet No. 1 in C minor, Op. 1.” Joined by pianist Joel G. Fan ’91, the Ying Quartet displayed their multifaceted musicality once again...
...Pianist Nora I. Bartosik ’08 shattered expectations of student virtuosity in her performance with the Bach Society Orchestra (BachSoc) on Saturday night in Paine Hall. The winner of BachSoc’s 2007 Concerto Competition, Bartosik lifted the mood of the evening and imbued her solos with the graceful power that emanates naturally from an artist fully in command of her craft.Bartosik’s performance was the centerpiece of BachSoc’s Junior Parents’ Weekend concert. In front of a crowded hall, music director and conductor Aram V. Demirjian...
...grandeur of the expectations the album sets for itself. “Find Me” and “These Are Those Soulful Days” are lethargic, and Marsalis’ improvisations don’t push the limits of his virtuosity. Saxophonist Walter Blanding and pianist Dan Nimmer struggle to excite. In spite of the record’s provocative message, Marsalis keeps many tracks mellow, even cheerful, making listeners cry out for more passion and grit. But it is important to recognize Marsalis’ daring. “From the Plantation to the Penitentiary?...