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Word: pianists (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Sinatra has always occupied a gray area between jazz and pop. The small group setting here--vibraphonist Red Norvo's quintet plus longtime Sinatra pianist Bill Miller--frees him to the extent that on some numbers his sense of swing and invention approaches Ella Fitzgerald's joyous, ineluctable pulse (and justifies Capitol's releasing this find on its Blue Note jazz subsidiary). With I've Got You Under My Skin, Sinatra even surpasses the vocal on his famous Songs for Swingin' Lovers version, which really belongs to arranger Nelson Riddle. And as wonderful as that studio performance is, it doesn...

Author: /time Magazine | Title: MUSIC: ANOTHER WAY | 4/14/1997 | See Source »

While Fisher agreed that Huang, a classically trained pianist, is already a very polished contestant, she nonetheless emphasized the importance of preparing for the Miss America pageant...

Author: By Robert J. Coolbrith, | Title: Student Wins Pageant, Resigns for Med. School | 3/31/1997 | See Source »

Astrologer Gillian Helfgott should thank her lucky stars. Her husband, the mentally skewed Australian pianist David Helfgott, whose story is told in the affecting movie Shine, has sold out his 11-city North American tour; Shine has received seven Oscar nominations; chaotic though it is, Helfgott's recording of Rachmaninoff's Third Piano Concerto (the "Rach 3" of the movie) is a hot seller, and Love You to Bits and Pieces, Gillian's fuzzy-warm book about how she rescued this lost soul and lofted him to stardom, has 185,000 copies in print. "It's almost...

Author: /time Magazine | Title: MUSIC: A LAMENTABLE DEBUT | 3/17/1997 | See Source »

DAVID HELFGOTT After Shine's Oscar nominations, the eccentric Aussie pianist's concerts are a hot ticket...

Author: /time Magazine | Title: Notebook: Mar. 3, 1997 | 3/3/1997 | See Source »

This problem did not persist in the andantino of the second movement, a mostly dark and quiet meditation which the pianist delivered with intelligence. Haefliger, whose father Ernst is a great tenor, always imparted a vocal quality to the music, even in the note-heavy presto rondo. The cadenzas in both the first and third movements had dramatic as well as technical and even visual interest: Haefliger played with his eyes closed but turned toward the ceiling, and wore an expression of ecstatic concentration, his upper body resembling a bust of Homer. The orchestra that had commanded comparatively little attention...

Author: By Matthew A. Carter, | Title: Talented Ensemble Makes for Good, Clean Fun | 2/27/1997 | See Source »

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