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...BOTTOM LINE: Despite his disability, the pianist retains his formidable musical intelligence and masterly touch...

Author: /time Magazine | Title: The Sound of One Hand | 3/29/1993 | See Source »

...functioning hands would seem to be the minimum basic requirement for a concert career, but fortunately musical history says otherwise. When the pianist Paul Wittgenstein, brother of the philosopher Ludwig, lost his right arm serving with the Austrian army in World War I, he reacted with logical positivism: he commissioned several leading composers to write works for the left hand alone...

Author: /time Magazine | Title: The Sound of One Hand | 3/29/1993 | See Source »

MUSIC U.S. composers' favorite pianist? Ursula Oppens...

Author: /time Magazine | Title: Time Magazine Contents Page | 3/8/1993 | See Source »

GLENN GOULD WAS A GLORIOUS ECCENtric: a concert dropout; a reclusive, self- promoting ascetic; a pianist of Horowitzian technique who, with curious exceptions like Bizet and Sibelius, usually shunned the Romantics. Sony Classical's magnificent GLENN GOULD EDITION, to be completed in 1994, presents Gould's entire recorded oeuvre (much of it previously unreleased). His Haydn is superb; his Mozart and Beethoven range from riveting to risible; his moderns dazzle. Above all, sensibility and omnipotent fingers made him a peerless contrapuntalist, who could with uncanny rhythmic acuity articulate multiple lines and transmute complex musical thought, especially Bach's, into pure...

Author: /time Magazine | Title: Short Takes: Mar. 8, 1993 | 3/8/1993 | See Source »

SCOTT JOPLIN, JAMES SCOTT AND JOSEPH Lamb may have been the Big Three composers of the ragtime era, but there were a host of others, many of them (yes!) women. Twelve are represented on FLUFFY RUFFLE GIRLS, an irresistible CD by pianist Virginia Eskin (Northeastern). May Aufderheide, probably the best known of the dozen, showed with infectious rags like The Thriller! that she could crack knuckles with the big boys. Also noteworthy are two elegiac rags by the contemporary composer Judith Lang Zaimont, which prove there's life in the old genre yet. Eskin captures all the insouciant charm...

Author: /time Magazine | Title: Short Takes: Feb. 22, 1993 | 2/22/1993 | See Source »

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