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BILLIE HOLIDAY: THE QUINTESSENTIAL BILLIE HOLIDAY, VOL. 5 (Columbia Jazz Masterpieces). Working with legendary producer John Hammond and pianist Teddy Wilson, Billie turned out some of her greatest hits in these 1937-38 sessions: He's Funny That Way, My Man, Nice Work If You Can Get It. All that and more on this outstanding digital reissue...

Author: /time Magazine | Title: Critics' Choice: Jun. 5, 1989 | 6/5/1989 | See Source »

BEETHOVEN: CELLO SONATAS 3 & 5 (EMI). The late, preternaturally gifted cellist Jacqueline Du Pre exudes sensitivity and breathtaking virtuosity as she teams up with pianist Stephen Bishop-Kovacevich on this digital reissue...

Author: /time Magazine | Title: Critics' Choice: May 29, 1989 | 5/29/1989 | See Source »

Though senior writer Otto Friedrich has written ten other books, he is best known as the author of an acclaimed biography of a brilliant pianist, Glenn Gould: A Life and Variations (Random House). When he is not buried in his own writing, Friedrich sometimes dons the mantle of literary agent. Impressed by the reporting that Denise Worrell, then TIME's show-business correspondent, had done on celebrities from Michael Jackson to George Lucas, he offered to spend his lunch hours showing Worrell's work to publishers. A flattered if skeptical Worrell said, "Great!" then forgot about...

Author: /time Magazine | Title: From the Publisher: May 29 1989 | 5/29/1989 | See Source »

...good working knowledge of street slang. "Most people believe that if you are bilingual, you can interpret," says Jack Leeth of the Administrative Office of the U.S. Courts. "That's about as true as saying that if you have two hands, you can automatically be a concert pianist...

Author: /time Magazine | Title: Law: Libertad And Justicia for All | 5/29/1989 | See Source »

Gould's performances, writes Friedrich, had "a strange power unlike anything in the work of any other pianist . . . a power that made many people feel that their lives had somehow been changed, deepened, enriched." Still, Friedrich respects Gould's talents too much to canonize, or psychoanalyze, him. Instead, he sends the reader back to the recordings. And there, as one listens, one senses that in some deep but precise sense, Gould and his piano were truly one. For the man himself was a highly sensitive instrument, tuned to a fine pitch, capable of many moods, and played upon at times...

Author: /time Magazine | Title: Music: Singing Mahler to the Elephants | 5/22/1989 | See Source »

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