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...exquisite, sophisticated pianist, perhaps jazz's greatest, may have acquired some of his famed precision from the rough-hewn lessons of his father, who was known to beat him when he hit a wrong note, but Canadian Oscar Peterson's technical skills were only part of his genius. Peterson, whom Duke Ellington called the Maharaja of the Keyboard, took the piano to new heights as soloist; sideman (for Ella Fitzgerald and Dizzy Gillespie); composer; and leader of the Oscar Peterson Trio, which some call jazz's finest. He could hold back, then rip down the keyboard at lightning speed...

Author: /time Magazine | Title: Milestones | 1/3/2008 | See Source »

...band's style has been carefully crafted since its formation at the Jakarta Institute for the Arts in the summer of 2002, when Apsari, her guitarist boyfriend Yusmario Farabi and guitarist Saleh came together. They later recruited cellist Ricky Surya Virgana and pianist Aprimela Prawidyanti Virgana, a married couple playing in local orchestras and teaching music. Percussionist and vibraphone player John Navid completed the lineup...

Author: /time Magazine | Title: The Mod Squad | 12/19/2007 | See Source »

After the introduction, Koh and piano accompanist Hsin-Bei Lee, a professional pianist and MIT affiliate, performed three pieces: Benjamin Britten’s “Cello Sonata,” Frederic Chopin’s “Cello Sonata,” and Astor Piazzolla’s “Le Grande Tango...

Author: By Bonnie J. Kavoussi, CRIMSON STAFF WRITER | Title: Cellist Performs At Rights Concert | 12/17/2007 | See Source »

...human aspect to him—it’s not only music,” said Samer M. Haidar ’08. World-class cello skills would be enough to fill most students’ plates, but not Koh’s. The son of a pianist and a research scientist, Koh, a biochemical sciences concentrator, tries to strike a balance between his artistic interests and his academics. “Usually a musician of my age and level would have a manager, but I refused to have one,” he said; instead, he is working...

Author: By Michal Labik, CONTRIBUTING WRITER | Title: Bong Ihn Koh | 12/12/2007 | See Source »

...same nerve it takes to perform.” “He has this crazy stage presence, this ridiculous amount of energy, and it’s because he’s so charismatic,” says Malcolm G. Campbell ’10, a pianist who plays with Miller. It’s this stage presence that’s made Miller a class marshal and a well-known figure in Moral Reasoning 22, “Justice” where he openly debates Professor Michael J. Sandel. Bryan C. Barnhill ’08, a blockmate...

Author: By Hyung W. Kim, CRIMSON STAFF WRITER | Title: Marcus G. Miller | 12/12/2007 | See Source »

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