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...Nightmusic series presents four fall concerts by School of Music faculty members. The performances are at The Castle, 225 Bay State Road, Boston, in a relaxed atmosphere and among a small audience of 60 to 75 people. On Wednesday, November 1, pianist Linda Jiorle plays Mozart, Chopin, Debussy, Scriabin, Liszt, Schubert and Rochberg at 7:30 p.m. Free refreshments are served afterwards. Call 353-3345 for more details...

Author: By Richard Kreindler, | Title: Banking on the Right Notes | 10/26/1978 | See Source »

...free and details are available at 267-9300, ext. 340. At Berklee Recital Hall, 1140 Boyleston Street, Boston, Marla Prince leads a vocal ensemble tonight at 7:30 pm. Info about the free concert is at 266-1400. Also, at the University, sopranos Marguerite Coughlin and Sabra Loomis and pianist Alvin Novak perform works of Liszt, Wolf, Schumann and Berg. The free concert is at Adams House Lower Common Room...

Author: By Richard Kreindler, | Title: Banking on the Right Notes | 10/26/1978 | See Source »

Andre Watts, pianist, on playing the Liszt Sonata: "It's a moment of stoppage of existence, like blacking out, like I am going around the bend. It is a moment of transcendental passion. A no man's land...

Author: /time Magazine | Title: People, Oct. 23, 1978 | 10/23/1978 | See Source »

...rocker, Chicago comes back with a soft, mellow love song, done with great control and feeling by bassist Peter ("et") Cetera. It may not be their most effective attempt, but sandwiched between two hot, hard-driving numbers it does very well for itself. While Cetera and Dacus, along with pianist Bobby Lamm, do all the vocals, the highlighted instrument in each number varies, with flutes, trombones, guitars, pianos, and even synthesizers snaking their way through the medley of sound. Chicago pieces are rarely dominated by a single performer. However, in their interweaving of sounds and the multi-rhythmic arrangements they...

Author: By Eric B. Fried, | Title: Alive Again | 10/18/1978 | See Source »

...Ingmar Bergman casts a dour and perhaps by now somewhat weary Northern eye, is all the more intense and enduring because it is grounded in love. Charlotte, the mother (formidably played by Ingrid Bergman-no relation to Ingmar-in her first Swedish language film in decades), is a concert pianist, acclaimed and prosperous, sailing grandly into late middle age. Eva, the daughter (Liv Ullmann in granny glasses, with a few lines of graceful weathering allowed to be visible on her ineffable forehead), is a church organist, the wife of a country pastor, a woman soft, sweet and intelligent. They have...

Author: /time Magazine | Title: Cinema: Cooling Gloom | 10/16/1978 | See Source »

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