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Last Friday at Kirkland House, four fine musicians gave an intense and memorable performance of this quartet, revealing its masterful qualities through the vividness of their playing. The music makes extreme emotional and technical demands, but clarinetist David Kass, pianist Hugh Wolff, violinist Lynn Chang, and cellist Craig Hogan rose impressively to the challenge...

Author: By Joseph Straus, | Title: A Messaienic Vision | 2/18/1975 | See Source »

Works by Scriabin, Szymanowski, Ranchmaninoff, Western, Berg, and Liszt; Vivian Taylor, pianist; Eliot Library, 8:30; free...

Author: By Joseph Straus, | Title: Classical | 2/13/1975 | See Source »

Shows start at 8 and 10 p.m. and at 7:30 p.m. the actors (two males and two females) finished their pre-show warmups. Accompanied by Patrick, the pianist, they hopped down the two steps from the wing onto their benches as the audience began scuffing into the theatre. Tapping their feet nervously and lighting each other's cigarettes, they exchanged a few verbal footnotes about the show's format before Patrick went back out to begin an improvised medley, setting an appropriate light, crisp mood...

Author: By James Ulmer, | Title: Like King Tut, Only Alive | 2/13/1975 | See Source »

...pianist had just played a smooth, neatly-groomed transition from a Schubert style sonatina to "Maple Leaf Rag," and a light bulb above my head flickered, and dimmed to about half. This was his signal in start the show. A cheap alarm clock was quickly adjusted and wound to keep taos off the length of the performance, and actress Lina Harvey dashed on some eyeliner. Jack Blessing mumbled about needing to hop to the John and everyone spread "Syntax" and kisses around for good luck. In a few seconds they all darted off onto the stage to begin the show...

Author: By James Ulmer, | Title: Like King Tut, Only Alive | 2/13/1975 | See Source »

...Reformed Modernist. Part of his persona was his view of modern art. He regarded it with the contempt that an old blues pianist, after 30 years' rattling the ivories in a Kansas whorehouse, might reserve for ten minutes of John Cage silence. No guts, no drawing, no life: nothing but wind and delusion. Benton made no bones about his idea that nearly everything in art since the Fauves had been rubbish at best, and at worst the fruit (so to speak) of a homosexual conspiracy to rob the U.S. of its primal manly culture. The American museum, he grumbled...

Author: /time Magazine | Title: Art: Grass-Roots Giant | 2/3/1975 | See Source »

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