Word: pianists
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...PIANIST, a lean young man with a strangle lunar light on his face, surveyed the piano, placed his hands on the keys--I always sit on the left to see his hands--and, unbelievable as it seems, simply sat there without motion or sound. Well, the audience regressed from expectation to uneasiness; then, in crescendo of frustration, through irritation--it was hot, the air fairly visible--rumor (Is he stricken? Sane? Obstinat?) anger, shouting, disgust, and finally mass departure. What is music coming to...?" Only to renewal. The pianist, by refusing to "play," gave rhetorical expression...
...Bialoguski, it was $6,000, which went for renting the hall, hiring the 79-man orchestra and a guest soloist, Pianist Fou Ts 'Ong. Bialoguski also paid for such extras as a pair of contact lenses to replace his thick, dark-rimmed glasses ("the eye is important in guiding musicians...
Died. Julius Katchen, 42, U.S. concert pianist and recording artist, considered one of the world's foremost performers of Brahms; of cancer; in Paris. A New Jersey-born child prodigy who made his debut at eleven, Katchen won acclaim for his brilliant performances of Brahms' complete solo works, also recorded some of Beethoven's major concertos and was at home throughout the range of classical repertory. Though he was well enough known at home, his greatest popularity was in Europe, where he spent most of his adult life, exemplifying in his playing the ambience of an older...
...distinct disappointment. Recorded in the Philadelphia Academy of Music rather than in the ballroom used by Columbia, their sound is often dry and devoid of the luster for which the orchestra is famous. Charles Ives' Third Symphony and an LP of Grieg and Liszt concertos with Pianist Van Cliburn as soloist are the best of the lot. But the Chopin F-minor Concerto with Artur Rubinstein is heavy and graceless, and Tchaikovsky's Pathetique Symphony lacks the bite and immediacy of a nine-year-old version that Columbia re-engineered and rereleased last year. Bruckner's Seventh...
Despite their relatively brief collaboration, the quartet displays a seasoned, settled style-almost as if it had been playing together for a decade. Its tone is unfailingly rich and clear; its mastery of the ensemble form is so complete that even when performing with as experienced a musician as Pianist Artur Rubinstein its relative youth as a quartet is not all apparent...