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Last week the girls cleared the field again. When the eleven men and twelve women had finished playing their way through the single contest piece-Bach's monumental Goldberg Variations-the judges gave the first prize of $1,000 to Toronto Pianist Mari-Elizabeth Morgen, 23. Mari-Elizabeth was so sure that she would not get past the semifinals that she brought only one dress to Washington. That was her only mistake; at the piano, she was flawless-poised, professional, and in full control of the knuckle-crunching requirements of the Goldbergs.* Second and third prizes were given...

Author: /time Magazine | Title: Contests: Sex & Bach | 6/7/1968 | See Source »

Johnny, the first day out Pianist Wilhelm Kempff played for us in the big salon. Everybody could feel the boat rolling and swaying ever so gently. Later, he said: "Sometimes the keys elude your touch like fishes swimming away from under your fingers." What a sport! In a few days we are going to hear the soprano Elisabeth Schwarzkopf at the Ribat of Monastir, Tunisia. Then, while cruising to Dubrovnik, Yugoslavia, there will be a recital by the Amadeus Quartet and Jean-Pierre Rampal, the flutist. Then on to Catania, Naples and Cannes, where Arturo Benedetti Michelangeli will give...

Author: /time Magazine | Title: The Scene: Letter Home | 5/31/1968 | See Source »

...year-old heart of the University of Paris and the hub of the previous week's violence, bearded youths and miniskirted coeds sat in the courtyard singing occasional ribald songs against the Gaullist government. Now and then a jazz band struck up a tune or a pianist played an instrument dragged from an auditorium. With no police around, students even donned helmets and directed traffic on the Left Bank...

Author: /time Magazine | Title: World: FRANCE ENRAGEE: The Spreading Revolt | 5/24/1968 | See Source »

When Composer-Pianist John Eaton, 33, began to play his Concert Piece for Syn-Ket and Symphony Orchestra, the audience quickly discovered that there was nothing childish about the instrument. Syn-Ket is the first machine capable of performing electronic music "live" in the concert hall. Like the various sound synthesizers that have preceded it, Syn-Ket can approximate known instrumental and noninstrumental sounds-and create a few that are not so well known. It does not have all the range and flexibility of those synthesizers, but it does have one advantage. They normally put their sounds onto tape, which...

Author: /time Magazine | Title: Instruments: Adventure in Sound | 5/24/1968 | See Source »

Complaint, however, is bootless and beside the point. To say that the concert was enjoyable would be an understatement--it was stupendous. After all, with Levin's gifts as a pianist and composer and with Mozart as collaborator, how could anyone miss...

Author: By Robert G. Kopelson, | Title: Mozart-Levin | 5/21/1968 | See Source »

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