Word: pianoã
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...Renzo Piano??the prize-winning architect who was tapped to renovate the Fogg Art Museum and design a new art museum in Allston—described the difficulties of the upcoming projects to a packed Sanders Theatre audience last night. [SEE CORRECTION BELOW...
According to Harvard University Art Museums’ (HUAM) Director of Communications Daron J. Manoogian, Piano??s renovations will preserve the historic elements of the 1927 Fogg Museum’s original building while adding a new wing to the museum. This large wing will take the place of a series of previous additions, which have been added piecemeal to the Fogg over the past 80 years...
...Boston, will be the first substantial renovation of the Fogg. Additions have been made to the Prescott Street side of the facility, but the original 1927 section of the building—which replaced the 1895 building that first housed the museum—has never been significantly altered. Piano??s plan will remove the Prescott Street additions to the museum, “primarily because,” Manoogian says, “those spaces were never really efficiently integrated into the actual building itself.” The Prescott Street additions were each designed and constructed...
...Bloody Underground” isn’t just exploring the styles of seminal rock bands; it appears to be hunting the roots of all humankind. As is typical of BJM, a wide range of musical tricks—from sitars to African drums to classical piano??gets featured on various tracks. BJM also culls their lyrics from a diverse linguistic spectrum, even composing and naming a song in an Icelandic tongue (“Ljósmyndir”). Just as Newcombe promises his soul will bring “many… presents for the children?...
...Albright let the music speak for itself—and the music did an excellent job of doing so.The first movement began with legendary horn calls. Albright eased in the piano, carrying along the string section. Anxiety built up with string pizzicatos and more broken up notes from the piano??but then the orchestra transitioned back into the sweeping first melody that is so familiar.The concerto then mellowed, and high notes from flautist Adrian L. Sanborn ’11 echoed Albright’s own. The orchestra then burst into full volume, a move that exposed...