Word: piano
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Dates: during 1960-1969
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...solved the problem nicely by having us face the living-room (and dining-room beyond) from the diagonal. And he has carefully included objects that tell us much about the characters of the household--little vases of lilacs or lilies-of-the-valley, framed pictures, an old square piano with a tasseled shawl, candle brackets by the main door, a writing desk and accoutrements, a folding screen, antimacassars on the backs and arms of chairs, and so on. Hovering over everything in the back are gray tree branches suggestive of tentacles that keep the inhabitants rooted to their provincial garrison...
...GENERAL PUBLIC suffered through another concert in Sanders Theatre last Monday night. Why Harvard is the only school of any consequence anywhere in the country without a decent concert hall no one can explain. Most of us are tired of quarters for violin, cello, piano and street noises and tired of wiping out neighbors' sweat off our knees. It is a disgrace to force any musicians of merit to attempt to perform in the decrepit fire trap...
...concert itself, the fairest thing to say would be that, on the whole, it was enjoyable, particularly if one hasn't a very good sense of pitch. The Schumann Piano Trio No. 2 kin F Major, opus 80, opened the program and nearly closed it. Alexander Schneider, Leslie Parnas, and Murray Perahia showed no life, no energy, and no enthusiasm. Each movement was stodgy, and movements two and three positively died at the end. The cellist performed rather well. Unfortunately the violinist was sadly out of tune. The biggest single complaint I would register against the performance was lack...
After an interminable intermission came Dvorak's Quintet for Piano and Strings in A Major, opus 81. Czechoslovakia may be under someone's thumb but Czech music is very much alive. This gorgeous piece was very well played. The cellist distinguished himself with a beautiful, full, resonant opening and the ensemble played with much more rhythmic unity and dynamic cohesion. Walter Trampler was superb throughout the Dvorak. There was an evident feeling for the ebb and flow of the beautiful melodies, lines which sing and soar over the often complex texture of this magnificent quintet. The new quality in their...
...rest of the program matched Madame Carmirelli's Romantic tastes. It included a modern Italian violin sonata and a piano-violin sonata by Ferruccio Busoni. The Busoni piece went smoothly, with thematic-seeming material floating by with all of the grace of the turn of the century. Someone once said of Busoni that "he was hopelessly ahead of his time when he was writing and is now hopelessly Romantic." That adequately describes his sonata. It probably says a lot about the program and the performance at the concert as well...