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Word: piano (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...than the droning, hypnotic waves of sound poured out by other West Coast groups such as the Jefferson Airplane and Grateful Dead. They startle and bemuse with a uniquely mournful and moody tone that shades Morrison's dusky voice seamlessly into a dark-textured background: the haunting organ, piano and bass of Ray Manzarek, 24; the sinuous guitar of Robby Krieger, 21; the nimble drums of John Densmore...

Author: /time Magazine | Title: Pop Music: Swimming to the Moon | 11/24/1967 | See Source »

...seen in half a dozen years. In addition he has won respect as a solo clarinetist and chamber musician. Daniel Troob, the excellent continuo-player in Adams's superb production of The Marriage of Figaro, was to team up with him again as the soloist in the Mozart Piano Concerto No. 23. One glance at the back of the program made it abundantly clear that Adams has accomplished a small coup d'etat in gathering so many of the community's best musicians...

Author: By Robert G. Kopelson, | Title: Bach Society Orchestra | 11/20/1967 | See Source »

...biggest disappointment of the evening was the Mozart piano concerto. In the Allegro the lower strings dragged terribly. The orchestra was constantly at odds with the soloist, overpowering him dynamically and struggling to arrive at a mutually conducive tempo...

Author: By Robert G. Kopelson, | Title: Bach Society Orchestra | 11/20/1967 | See Source »

Michael Kapetan deserves recognition for his consistantly good performance. Leonard Lehrman does the never-ending piano number, "And the Same to You," very well. (The repeated insertion of "Ten Thousand Men of Harvard" into the piano score, however, is tiresome...

Author: By Parker Donham, | Title: Beyond the Fringe | 11/17/1967 | See Source »

...sound that was worth listening to. Conductor Walter Nollner, elicited a kind of breathy pianissimo that was marred only by the group's inability to produce a solid, healthy forte. Of particular note was William Martin's rich, mellifluous baritone solo in Schubert's Zur Guten Nacht; and the piano playing of the three accompanists was always sensitive and virile, if not entirely accurate...

Author: By Robert G. Kopelson, | Title: Harvard, Princeton Glee Clubs | 11/11/1967 | See Source »

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