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Word: pianos (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...position she had inherited, almost by default, from a long line of free-spending, haughty, and sometimes charming dowagers. Hostess Mesta had discovered a useful and economical secret: her kind of guests like to entertain each other. At Perle Mesta's parties, Harry Truman has played the piano, General Ike Eisenhower has sung Drink to Me Only with Thine Eyes (in a shaky baritone), Pat Hurley, without too much encouragement, has given his Comanche war whoop, and Mrs. Cornelius Vanderbilt has whistled in a duet...

Author: /time Magazine | Title: THE CAPITAL: Widow from Oklahoma | 3/14/1949 | See Source »

...anything but singing. After her U.S. tour there are two other big engagements on her schedule: 1) Amsterdam, where she will sing Orfeo again with San Francisco's Pierre Monteux conducting, 2) the Edinburgh Festival, where her old coach, Bruno Walter, has promised to be at the piano to accompany her recital...

Author: /time Magazine | Title: Music: English Orfeo | 3/14/1949 | See Source »

...performance of Harold Shapero's Four-Hand Piano Sonata indicated that the interest of the two pianists is in contemporary music. Both devoted themselves to giving the work every advantage. Shapero composed the piece during his first year out of Harvard, and Leonard Berstein performed it with him for the first time...

Author: By Herbert P. Gleason, | Title: The Music Box | 3/11/1949 | See Source »

...Blum"). Levy also prodded sales with some merchandising razzle-dazzle, put candy in everything from French porcelain dishes and satin hats to great, flat, silver-wrapped boxes the size of dinner trays. He plugged snob appeal and "personalized" packages. (Singer Hildegarde's is shaped like a grand piano...

Author: /time Magazine | Title: Candy Is Dandy | 3/7/1949 | See Source »

...objection about the dominance of the brass was overruled by its ability. From my point of view, Bloch's Concerto Grosso was the tour de force of the evening. The strings joined together with such power an assurance that I truly regretted the omission of the third movement. The piano part is chiefly one of doubling. This was unfortunate last night, for it gave the audience no chance to appreciate Karl Kohn's superb playing...

Author: By Herbert P. Gleason., | Title: The Music Box | 3/2/1949 | See Source »

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