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Word: pianos (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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...lyrics on the floor during a recording session, he quickly substituted nonsense syllables, and added "scat-singing" to jazz. He had formed "Louis Armstrong and His Hot Five" (Satchmo, Clarinetist Johnny Dodds, Trombonist Kid Ory, Johnny St. Cyr on the banjo and second wife Lil Hardin Armstrong on the piano) to make recordings of his best numbers for Okeh. When he played Chicago, such youngsters as Bix Beiderbecke, Benny Goodman, Gene Krupa and Eddie Condon, who were to help create the "Chicago school" of jazz, sat and listened worshipfully. All of them now make their bow to Louis. Says Drummer...

Author: /time Magazine | Title: Music: Louis the First | 2/21/1949 | See Source »

Beethoven: Sonata No. 3, Op. 69 (Pierre Fournier, cello; Artur Schnabel, piano; Victor, 6 sides). French Cellist Fournier made a hit two seasons ago at the Edinburgh Festival with Pianist Schnabel, Violinist Joseph Szigeti, and Violist William Primrose (TIME, Sept. 22, 1947). Here, in his U.S. record debut with Schnabel (and Beethoven), he succeeds again. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Feb. 21, 1949 | 2/21/1949 | See Source »

Trio No. 4 in D Major, Op. 70 (Adolf Busch, violin; Hermann Busch, cello; Rudolf Serkin, piano; Columbia, 6 sides). This trio ("The Ghost") is of lesser nobility- except for its fine misterioso slow movement -than his Trio No. 6, Op. 97 ("The Archduke"), but here it is splendidly performed. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Feb. 21, 1949 | 2/21/1949 | See Source »

Tuesday evening's concert of the Boston Symphony in Sanders Theater was pretty much of a family affair. Igor Stravinsky conducted, his son Soulima was the piano soloist, and the music was, of course, all Stravinsky. Indeed, the entire atmosphere of the concert was one of a family gathering, intent on making music and not worrying too much about the quality of performance...

Author: By F. BRUCE Lewis, | Title: The Music Box | 2/10/1949 | See Source »

Although Stravinsky wrote his Capriccio for Piano and Orchestra as a vehicle for solo appearances, the role of the piano is secondary. Much of its part is percussive, in keeping with a general trend of contemporary composers, but not with the real idiom of the instrument. Soulima Stravinsky appeared to handle the part in real razzle-dazzle fashion, although his playing was almost inaudible from my seat...

Author: By F. BRUCE Lewis, | Title: The Music Box | 2/10/1949 | See Source »

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