Word: pianos
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Dates: during 1980-1989
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...onetime avant-garde pianist who has been performing for many years. Among other new works, I introduced Bartók's Second Piano Concerto in New York City as early as 1947.1 always felt I was one step ahead of my time. Yet, I was horrified to read your glowing account of Maestro Pierre Boulez's newest "creation" that was recently performed in France [Dec. 28]. Repons is certainly not the answer to this listener's prayer. Compositions made with the aid of a computer negate everything that music stands for. Andor Foldes Herrliberg, Switzerland
...Natalya Pasternak, the widow of the author's other son Leonid, do not live in the house, but they have diligently kept it in repair and conducted tours for visitors. Everything has been preserved just as it was when Pasternak was living. Among the keepsakes: the piano where the noted Russian pianist Svyatoslav Richter played all through the night Pasternak died, and the worn kitchen table where Pasternak lifted toasts of vodka the day he learned he had won the Nobel Prize. Upstairs is the oak desk where he wrote, surrounded by shelves lined with hundreds of his books...
...young writer isolated here was hardly a flaming rebel. His favorite form of truancy as a boy was listening to his half-Brazilian mother play the piano and sing Brahms. Papa was a senator of the Baltic seaport town of Lübeck and a prosperous grain merchant: the perfect bourgeois figure for a young artist to revolt against...
...catching the public's ear in 1931 with his first hit, Star Dust. The more than 50 standards he wrote include Georgia on My Mind, Ole Buttermilk Sky, Lazybones, The Nearness of You and In the Cool, Cool, Cool of the Evening. He also played a laconic, streetwise piano player in a handful of movies, including To Have and Have Not and Young Man with a Horn...
...from "Running," and the guitarist's name follows the tradition of the Police's Sting. Their respective riffs and even bass line give away U2's origins, nowhere else but New Wave. Yet, the drums Larry beats so maniacally in "I threw a brick" echo, and Adam Clayton's piano filters through indistinctly in the "October" intro. These effects make the music fuller and subtler than the whinings of New Wave groups, striving for a minimal instrumental texture...