Word: pianos
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Dates: during 1990-1999
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...Buckley's books. The style alternates between Saturday Night Live and Raymond Chandler: "A tsunami-sized wave of nausea rolled through him. Nick's eyes went groggily back to Monmaney, who was peering at him without sympathy. Yes, a real killer, this one, looked like he flossed with piano wire...
...film seems content to keep the theme of Gould open to interoperation. The film derives much of its humor from the ongoing bewilderment and second-guessing of his friends. Why did Gould insist upon wearing a scarf, hat and gloves throughout the summer? Why did he set the piano bench so low that the played the keyboard at eye level? Why did he keep 42 bottles of ketchup in his hotel room? One hotel chambermaid earnestly explains how all the other maids refused to work for him, because they thought he was a sexual deviant. These firsthand stories slyly poke...
...screen, and especially after she cuts her hair, all I could think was how unattractive she was. This reviewer considers himself to be open to many different cinematic experiences. I mean, I loved the naturalistic tone of Harvey Kietel's body in the love scene of "The Piano." I don't mind watching less-than-attractive actors on the screen. But I had not realized how conditioned I was to expect only attractive women in leading roles. The magic and beauty of this film is that you forget what people look like, the fact that they may walk funny, even...
...poet is theatrical--she once erupted into a sarcastic, silly tap dance routine at the sound of Billy Joel's "Piano Man." She had an obsession with the music of Donovan. She claimed that while falling asleep, she could hallucinate to the music of Bob Marley. She knocked on doors and asked friends to come out and play. She got kicked out of dorm crew for refusing to do her job. In the short stories she wrote in high school she concocted, for her friends' confusion, an obsession with a man wearing a ski mask, behind the wheel...
...fourth number, an instrumental called Marooned, the record veers off into a morass of sustained piano chords, droning synthesizers and gimmicky sound effects. The aural tricks that seemed so daring on earlier Pink Floyd disks -- running footsteps, echoing guitars -- are now impossibly dated and predictable. Even worse are the lyrics, which rarely rise above the sentiments of a greeting card. "Her love rains down on me easy as the breeze," guitarist David Gilmour sings on Take It Back. "I listen to her breathing it sounds like the waves on the sea." Only Keep Talking, propelled by interlocking guitars, manages...