Word: pianos
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Dates: during 1990-1999
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...While Belle and Sebastian fans might equate the trendy British band's tight pin-wheel melodies to guitar-and-drum approximations of electronica rhythms, it really just sounds like the Beach Boys redux. Listen to B&S' 3..6..9..Seconds of Light or the piano on "Seeing Other People" or the guitar on "If You're Feeling Sinister" and then go to the library and check out "Sloop John B." from Pet Sounds. Such musical similarities can't be a coincidence, considering the thematic overlap between, for example, Pet Sounds and If You're Feeling Sinister. In the former...
...Apple on "Fast as You Can," and yet you still don't know whether her sexual prey should flee her in fear or approach her with curiosity. Apple draws heavily on old-school R&B and the instrumental support, led by Jon Brion, effectively complements her wandering voice. Her piano work is uncomplicated and elegant, allowing you to focus on her intimate vocals. "I Know," the album's concluding track, proves that Fiona Apple was correct about one statement on Tidal: you don't have to sleep to dream...
...limited-edition The Rubinstein Collection (list price: $1,600) is perhaps the biggest box set ever devoted to a single artist. It contains 706 recordings made between 1928 and 1976, including most of the music of Chopin, three versions of the complete Beethoven piano concertos and plenty of chamber music, plus a 305-page booklet full of adoring essays by admiring colleagues, critics and relatives...
...Bennett's first exposure to music was from his mother, who taught him how to play piano by ear. At the age of five, he did a rearrangement of "It's a Small World" with his tape recorder, inserting other Disney music into the catchy tune and rewriting the words. His arrangement won him a prize in a Disney-sponsored contest, and, more importantly, showed him that music was to be a huge part of his life...
...import-only No Education = No Future (F**k the Curfew). A more restrained, ambient Mogwai emerges here: on four of the tracks, percussion is barely apparent. Chiming guitars and a somber bass make for an elegiac sound on "Stanley Kubrick" and "Burn Girl Prom Queen," while a piano provides the melody for "Christmas Song." The band's primary strength is its sense of tension: they have an ability to balance melody with noise akin to the Velvet Underground. On this release, as on their last album (Come On Die Young) the element of noise has largely been moved...