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Word: pianos (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...mainly the image of Liszt as music's first international superstar, and one of the Romantic Century's great Don Juans, that remains fixed in our collective memory: a slim, strikingly handsome six-footer with a flowing mane of shoulder-length hair, a piano conjurer able to summon near orchestral effects and rouse audiences to such frenzied emotional states that the poet Heinrich Heine coined the term "Lisztomania." "I think I laughed--laughed like an idiot" is how Edvard Grieg described his ecstatic reaction to Liszt's playing. George Eliot's recorded impressions of Liszt come very close to swooning...

Author: /time Magazine | Title: MUSIC: THE BOOK OF LISZTS | 9/2/1996 | See Source »

...superficial. But as Walker's gripping narrative unfolds throughout the three volumes, the astounding depth as well as breadth of Liszt's legacy emerges. Yes, he was a sensualist, but it was also Liszt, tireless in his charity work, who invented the benefit concert, who realized the piano's vast potential and created the modern piano recital, who became the first modern conductor, concerned with musical lines, color and expression rather than simply beating time. As proselytizer he sped the acceptance of countless composers. As the inspirational teacher of a Burke's Peerage of younger pianists, he originated master classes...

Author: /time Magazine | Title: MUSIC: THE BOOK OF LISZTS | 9/2/1996 | See Source »

...inspired by Cline's music, not by biographical eccentricities. Square-faced and tending to stoutness, Cline left no legacy of iconic beauty or notorious anecdotes. She was all voice, in the days when pop intersected with country. On her albums, swirling violins would blend with Floyd Cramer's tinkly piano and the unobtrusive harmonies of the Jordanaires. She recorded songs by the top country scribes (Hank Cochran, Willie Nelson, Don Gibson, Carl Perkins, Buck Owens, Mel Tillis), but she also covered Cole Porter's True Love; and Walkin' After Midnight was a Tin Pan Alley tune that had been written...

Author: /time Magazine | Title: MUSIC: INCLINED TO BE JUST LIKE PATSY | 8/19/1996 | See Source »

Oscar winner ANNA PAQUIN likes acting, but she has a tiny complaint. "Not all roles for children have definite personalities," she says. "They're just there. I've been very lucky." Having played two of the saddest girls in moviedom--The Piano's Flora and the young Jane Eyre--Paquin, 14, keeps the melancholy theme going in her next film, Fly Away Home. She plays Amy, who moves in with her estranged inventor father after her mother dies in a car crash. She has to teach wild geese she finds to fly, or a wildlife officer will clip their wings...

Author: /time Magazine | Title: People, Aug. 12, 1996 | 8/12/1996 | See Source »

...come directly from Hans Landesmann, who oversees the festival's symphonic programming. Never mind that BMG's Conifer Classics will issue a September release in the U.S. of The Kaplan Mahler Edition, a double CD that includes Kaplan's best-selling recording of the Resurrection Symphony; the Mahler Piano Rolls; and recollections of Mahler by his contemporaries, as well as a CD-ROM component that features photos from Kaplan's book The Mahler Album...

Author: /time Magazine | Title: MUSIC: MAD ABOUT MAHLER | 8/5/1996 | See Source »

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