Word: pianos
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...Black and white did mingle in the studio, not physically but in their overlapping styles and choice of material. Turner's piano work, backing Jackie Brenston on Phillips's first hit, "Rocket '88'," has some of the boogie-woogie triplets, rolling rhythm down low and bang-it-till-it-breaks urgency on high that were later identified with Lewis. In September 1954, Parker recorded his own "Mystery Train," a spectral blues song that has sax-man James Wheeler evoking a train's mournful whistle and Floyd Murphy's guitar providing the chugging wheels. Ten months later Elvis covered it, speeding...
...Elvis sent the Romanovs scurrying from the Winter Palace, Jerry Lee was Lenin triumphant - the shock of the new suddenly sitting, smirking, raving on the old throne. Except JLL sat on a piano stool. Sat at the beginning, anyway. Then the fingers at the ends of those long, thin, untanned arms attacking the piano with the furiously proficient ardor of a Rubinstein or a Rubirosa. Yes, children, I remember that performance as if it were from the best, clearest yesterday that changed my teen tomorrows. But Nick Tosches, Lewis' biographer, conjures it with an infernal eloquence I couldn't match...
Tharp has done this sort of thing before, but usually in the confines of highbrow dance troupes (like Deuce Coupe, based on Beach Boys music, for the Joffrey Ballet). Here she manages to enhance Joel's music (sung by a Billy stand-in, Michael Cavanaugh, who sits at a piano, accompanied by a 10-piece band, on a platform above the stage) while buoying the spirits with sexy, high-voltage dancing that promises to give Broadway a rush of excitement. Best of all, she does it the old-fashioned, pre-Mamma Mia! way: no dancing in the aisles...
...very supportive, very encouraging of [the museum’s architect] Renzo Piano and the ambitions of the art museums, and always recognized that it would not be easy,” Cuno said in an interview yesterday. “It’s not easy to get a building project approved within the University, let alone within the city...
Davis builds his songs like any rock or rap producer. He starts with a drumbeat or bass line, adds piano or guitar to carry the melody, sprinkles in a few odd elements--a triangle, a cello, an organ--to make things interesting, and finishes the whole thing off with vocals. But before he begins, he has to comb through old vinyl bins for raw materials. "In the most passive way," says Davis, "what I put out depends on what comes...