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Students have also taken the initiative to form support organizations for musicians who don’t inherently fit into the orchestral unit. The Harvard Piano Society provides a meeting forum for amateur and serious pianists and organizes master classes and recitals. They often provide much-needed accompanists for many productions and pairs duets. Founder of the Harvard Piano Society Aaron Miller ’02 said, “We saw a need for greater performance opportunity for Harvard pianists, because the only thing available before were the concerto competitions.” Since founding the organization last year...

Author: By Julie S. Greenberg, CRIMSON STAFF WRITER | Title: Classical Act | 5/3/2002 | See Source »

...piece here is “Tart,” the best thing Costello’s written since 1978. It’s constructed atop a beautiful piano line and a fuzzy, walking bassline. Costello has always loved a pun, and he has more fun than he’s had in years: “Is it something you crave?/ ’Cause you say that you only feel bitterness/ Would it kill you to show us a little sweetness?” The song is most impressive for its dynamics: Costello dryly lights into the unnamed...

Author: By Ian R. Mackenzie and Daniel M. Raper, CRIMSON STAFF WRITERSS | Title: The Week | 5/3/2002 | See Source »

...sheet music for a Brahms intermezzo is open on the Russian-made Rathke grand piano that rests in the salon. Wearing a gray sweat suit and teddy-bear slippers, Maha Shamas is fretting about how people view Palestinian women. First, it is the way foreigners interpret the ululating jubilation of Palestinian mothers whose children have died as "martyrs." To a Westerner, it looks like an unconscionable celebration of the death of a child. "Palestinian women have been dehumanized so much that people are willing to believe this," she says. "It's the ultimate racism. It assumes that Palestinian mothers...

Author: /time Magazine | Title: When The War Hits Home | 4/29/2002 | See Source »

...Ninth Symphony, written in 1909, is ultimately about farewell, as the work makes repeated use of a two-note falling motive, first used in the last movement of Das Lied von der Erde, which Mahler extends to form a three-note quotation from Beethoven’s Les Adieux piano sonata. These motivic constructions permeate every movement of the piece. Leonard Bernstein, in his 1973 Norton lectures here at Harvard, defined the symphony as a farewell to life, tonality and “our Faustian society.” There was no doubt, however, that the BSO?...

Author: By Anthony Cheung, CRIMSON STAFF WRITER | Title: Ozawa Bids Farewell | 4/26/2002 | See Source »

Emmanuel J. Simons ’04, who studies Music and Neuroscience as a special concentration, says his initial level of motivation also showed itself through diligent e-mail writing. Simons came to Harvard with a strong background in music; he had participated in choirs and studied classical piano since he was seven years old. When he became interested in neurobiology as a first-year, he was “faced with the conflict of wanting to study music, but realizing he wasn’t ready to choose between [his] two interests.” After reading various articles...

Author: By Angie Marek, CRIMSON STAFF WRITER | Title: Special Education | 4/25/2002 | See Source »

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