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...follow every turn.HRO Music Director Dr. James Yannatos again showed his gift for conducting concertos; the swaying strings settled delicately under the clarinet, loyal to Lowy’s nuances. After an extended solo, Lowy moved into the playful second part of the concerto, trading arpeggios with the twinkling piano and strings. The piece finished with jazzy pandemonium, as the dialogue between Lowy and the orchestra surged to a loud, clean conclusion.“Symphonie Fantastique,” the third and final piece on the program, was written in 1830, only three years after the Beethoven?...

Author: By Matthew H. Coogan, CONTRIBUTING WRITER | Title: Divided, HRO's Concert Stands | 3/9/2009 | See Source »

...American soldiers, transforming them into “different men... men required to deny, to numb basic human feelings at costs they may have paid for decades after the war ended.” As Yo-Yo Ma and Charlie Albright ’11 on the piano played an excerpt from “Quartet for the End of Time” by Olivier Messiaen, who composed the piece while held as a prisoner of war by the German army during World War II, the powerful expressiveness of the words and music were each individually amplified, demonstrating the ideal...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: 'Witness'ing the Interplay Between Arts and Rights | 3/6/2009 | See Source »

...Sunday’s Symphony Hall solo recital, a presentation of the Celebrity Series of Boston. His performance, which fused musical mastery with a hearty dose of his characteristic flair for the dramatic, proved all of the hype about him was well justified. Settling himself at the Steinway concert piano, Lang opened with a poetic rendition of Franz Schubert’s Piano Sonata No. 20 in A Major, D. 959. In the first movement, the interplay of soprano and tenor voices created a chorus of classical lines that conveyed a dialogue of teasing questions and indignant retorts. Raising...

Author: By Monica S. Liu, CONTRIBUTING WRITER | Title: Musical Genius Impresses | 3/5/2009 | See Source »

...cage. The song begins with constant guitar tremolo and quick, brushed cymbal strokes, feeling like an orchestrated locomotive marching lazily through the countryside. Once Case enters with her famed pathos, the train never stops rolling. The song’s morphological character is only briefly disrupted by the piano and string fills. These examples of clever instrumentation and uplifting melody are Case at her best. “I’m an Animal” adds some color to the album with an organ in the beginning and a chorus of backup vocals. The song is short...

Author: By Matt E. Sachs, CONTRIBUTING WRITER | Title: Neko Case | 3/5/2009 | See Source »

Hans Boepple, Tam’s piano teacher in high school, places him in the top 1% of his 400 students. “Music just runs through him like a current,” he says...

Author: By Lingbo Li, CRIMSON STAFF WRITER | Title: Doing Double Time | 3/4/2009 | See Source »

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