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...buzzing gospel conglomerate. As he approached the pulpit, the octagonal Family Worship Center in Baton Rouge, La., was packed for the occasion with 8,000 worshipers, 1,000 of them standees, while followers nationwide watched the weekly telecast. This day there was to be none of Swaggart's trademark piano riffing or gospel singing, none of his jig stepping, strutting or shouting. Clad in a severe suit, the TV evangelist waited quietly, then began to speak...

Author: /time Magazine | Title: Religion: Now It's Jimmy's Turn | 3/7/1988 | See Source »

...Ching Chen, this year's winner. The Eliot House sophomore says it was almost on a whim that, in the space of two months, she learned Tchaikovsky's long and demanding first piano concerto, which she will play with the HRO at Sanders Theater tonight...

Author: By James E. Schwartz, | Title: A Romantic Interlude | 3/4/1988 | See Source »

Since the age of 11, when she took first place in her native Taiwan's national piano competition, the Los Angeles resident has put together an extraordinary string of musical accolades: soloing with the Taipei Municipal Symphony orchestra, playing with the Los Angeles Philharmonic 10 times, and winning a spate of competitions, including the concerto contest at the Manhattan School of Music, where she spent a year before coming to Harvard...

Author: By James E. Schwartz, | Title: A Romantic Interlude | 3/4/1988 | See Source »

...concert segments which Frank included do seem to have the express intent of deglamorizing the musicians and their work. During a concert with Stevie Wonder, for example, we watch Mick Jagger awkwardly attempt to share a mike with the blind musician. He bends over Stevie's piano bench, dodges the waves of his unknowing head, looks exasperated and finally gives up. The one close-up on Stevie himself captures him as he accidentally knocks his dark glasses off and fumbles to slip them back...

Author: By Will Meyerhofer, | Title: Galled Stones | 2/26/1988 | See Source »

Inspiration comes in a variety of ways, the student composers say. Axelrod says he most often gets ideas for songs when travelling between classes. "I don't need a piano to write music on," he says. However, "Sometimes when you get to a piano it doesn't sound anything like what you thought it would because when you write a song you hear all the parts in your head and the piano is only one instrument," Axelrod adds...

Author: By Melanie R. Williams, | Title: Making Music: Undergraduate Bands | 2/12/1988 | See Source »

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