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...with intricate patterns of repetition. Between these two outbursts, the girl finds herself "enchanted" and "bewitched" by the woman she has stumbled across. Ursula DeVane, 44, lives in a stone house her ancestors put up two centuries earlier; she shares the place with her younger brother Julian, a melancholy piano teacher whom ^ Ursula is determined to force into fulfilling his early promise as a concert performer. To this end, she has sacrificed her own career as an actress and successive parcels of the family's properties...

Author: /time Magazine | Title: Books: Deliberate Speed, Stunning Effect the Finishing School | 2/11/1985 | See Source »

...prose selections in a superior performance. In her closing number, evoking the Southern Baptist spirituals from which jazz sprung, Wiford-Foster was nothing less than inspirational in her preacher -like solo. In the band, Paul Brusiloff provides a hot trumpet, while Leon Greunbaum is fine on the piano. A Don Braden solo on the tenor saxophone, a la Stanley Turrentine, was very good once he warmed up and hit his groove...

Author: By Stuart A. Anfang, | Title: All That Good | 2/8/1985 | See Source »

Picker's Keys to the City, his second piano concerto, is a sometimes freewheeling portrait of the great bridge, most effective when brimming with the high spirits of Brooklynites George Gershwin and Aaron Copland. Unfortunately, though, the bonhomie is only intermittent. Despite delightful incongruities, like a six-note boogie-woogie that unexpectedly breaks out of some dense noodling, too often the piece is aimless and unfocused when it should be straightforwardly celebratory. At 30, Picker has compiled an impressive list of awards and commissions and has written other large-scale works, including a symphony and a violin concerto. What...

Author: /time Magazine | Title: Music: Where the New Action Is | 2/4/1985 | See Source »

...typical performance, it was not unusual to hear an impeccably played piano passage which drew heavily on Liszt, followed by a chant to the goddess Yemaya, followed by an extended conga solo, which in turn would be followed by a blues tune based on Mozart--all unmistakably Irakere...

Author: By Kevin Carter, | Title: From Cuba With Love | 1/18/1985 | See Source »

SCHUMANN: KINDERSZENEN: ARABESQUE. BRAHMS: PIANO WORKS (Nonesuch). Ivan Moravec has it all: taste, technique and the talent to combine...

Author: /time Magazine | Title: Music: Best of '84: Music | 1/7/1985 | See Source »

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