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...version of Sergei Taneyev; the former was the transcription used by Russian transliteraters at the turn of the century. Semantics aside, though, Tanajeff has not achieved the mastery of composition that his fellow Russians, like Tchaikovsky and Prokofiev, attained. Tanejeff (1856-1915) wrote a trio for violin, cello and piano that makes one wonder how he was able to take Tchaikovsky's old position as professor of instrumentation at the Moscow Conservatory when the old genius died. Certainly, the trio is no outstanding work. Any recording of his string quartets would make for better listening...

Author: By Robert F. Deitch, | Title: ...By Any Name | 12/11/1981 | See Source »

...history has it that Tchaikovsky taught Taneyev everything he knew (about composition). Nikolas Rubinstein, brother of the pianist extraordinaire of the nineteenth century but unrelated to Artur Rubinstein, taught him piano at the conservatory. The fledgling Taneyev also followed in Rubinstein's footsteps by taking over Nikolas's job when he passed away. Then he took over the Moscow Conservatory...

Author: By Robert F. Deitch, | Title: ...By Any Name | 12/11/1981 | See Source »

...jacket also tells us that the person playing the piano on the vinyl is named Hargus "Pig" Robbins and that Slim has cut a single entitled "Where Is the Christ in Christmas?" It is everything one can do to peel the plastic off the cover...

Author: By Nancy F. Bauer, | Title: Top of the Charts: Wayne, Alvin and the Beach Boys | 12/9/1981 | See Source »

Many musically inclined children are scared away by the forbidding sight of a piano, the makers of the Pianosaurus reckon. To counter this difficulty, they've created a small piano housed in the innards of a purple, very happy, dinosaur...

Author: By William E. Mckibben, | Title: Toys for the Real Generation | 12/9/1981 | See Source »

...child in Kansas City, Mo., he banged out his first compositions at the piano, with the sustaining pedal down and the dynamic level up. Years later, an American sophisticate in Paris, he collaborated on an opera with Gertrude Stein, Four Saints in Three Acts, fashioning deceptively simple, homey music out of "Pigeons on the grass alas." His 1937 score for Filling Station, with its truck drivers, state troopers and gun-toting gangsters, became the first successful all-American ballet. Although serious composers generally have shunned film scores as hack work, he produced seven of them, and in 1949 collected...

Author: /time Magazine | Title: Music: Red, White and Blue Boulevardier | 11/30/1981 | See Source »

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