Word: pianos
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...came here knowing that my performance wouldn't count for credit, and I didn't expect it because this isn't a conservatory," says Roy Kogan '80, a music concentrator who frequently performs on the piano. He also points out that students can concentrate in music and take music 180r, a seminar in performance and analysis. Furthermore Harvard provides more of an opportunity to perform than a conservatory, Kogan says. It's ultimately a matter of balancing the pros and cons of practicing the arts at Harvard. After you do that, simply realize that you have no choice...
...redwood house above the shifting kelp beds and nocturnal sea of Carmel, an old man is playing the piano, not too well. The room is large, worn and comfortable, decked with the heterogeneous souvenirs of a long life?rows of Indian pottery, elegantly woven tribal baskets and a huge Chinese ceremonial drum. The piano player's head, a bald mass, gleams in the light. His hands, swollen from arthritis, hardened by decades of immersion in darkroom chemicals, skitter over the keys, assaulting the same phrase again and again. "Damn," he says, "I've lost it." But not altogether. Once...
Adams' house, like most middle-class homes before the dawn of stereo, had an upright piano, and Adams practiced on it assiduously. By 14, endowed with a nearly perfect memory, he could take a score to bed with him, study it, and play it in the morning. His teacher was a very Prussian octogenarian named Frederick Zech, formerly professor of music at the conservatory in Potsdam. "He was a great disciplinarian," recalls the pupil. "He turned me from a Sloppy Joe into a good technician. If it hadn't been for that, I don't know what would have taken...
...hours, which "lowers the collective blood pressure." Currently, commuters at the Park Street station are bemused to encounter Nancy Feins strumming the strains of C.P.E. Bach on the harp. "One woman asked me if this was a harpsichord," says Feins. "Another person swore it was the inside of a piano...
...theater piece for actors and orchestra. Stoppard enlivened his schematic political lesson with wit, and so, at times, does Fellini. In the film's first half, a visiting TV documentary team interviews the musicians and gets a lively response. A flutist turns a cartwheel. A drummer attacks the piano as a "chatterbox." An insomniac trumpeter confides that with his instrument, "a clinker is death." Once anarchy takes hold, however, the idiosyncratic individuals are drowned out by the director's spectacle...