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...Music knows neither frontiers nor race nor nationalism," the promoter told the crowd of 2,000 Italian and French jazz lovers. With that, Count Basie, 73, the grand old master of keyboard swing, stepped up to a piano placed smack on the Franco-Italian borderline on the Pont St. Ludovic, and with his band launched a medley of such crowd pleasers as Sweet Georgia Brown and Freckle Face. Meanwhile traffic was blocked on both the Italian and French sides of the bridge, and a cacophony of auto horns accompanied the Count. "I've played outdoors before but never like...

Author: /time Magazine | Title: People, Aug. 7, 1978 | 8/7/1978 | See Source »

Blake finished his lecture by playing one of his own compositions on the piano "Arlene," and said that his own favorite composer is Theolonius Monk...

Author: By Mel M. Marinkovic, | Title: Blake Advises Third Stream Composers | 8/4/1978 | See Source »

...composer will discover music as a mood, Blake concluded, so that a whole range of possibilities becomes possible. Blake finished his lecture by playing one of his own compositions on the piano, "Arlene," and said that his own favorite composer is Thelonius Monk...

Author: By Mel M. Marinkovic, | Title: Blake Advises Third Stream Composers | 8/4/1978 | See Source »

Twelve years ago, a young cellist named Nathaniel Rosen, then 18, journeyed from California to Moscow to compete in the famous International Tchaikovsky Competition. Held every four years, it is one of the world's most demanding and prestigious tests of talent in violin, cello, piano and voice. Rosen, the youngest cello entrant, made it to the finals but did not place. The three-week series of eliminations left him exhausted. "I'd love to go back to the Soviet Union," he concluded, "but probably not as a competitor...

Author: /time Magazine | Title: Music: Strings of Gold | 7/17/1978 | See Source »

...anymore. Sometimes this desperation is effective, especially what is perhaps the most moving song on the album, "Racing in the Streets." In this simple melody, he explores the ultimate loneliness and failure of someone who, like himslelf, has sought freedom in the fast lane. Springsteen sings over an echoing piano and in the chorus--"Summer's here and the time is right, for racing in the streets"--does a twist on the innocence of an earlier time in rock. But this sight of the traps awaiting the outlaw man of the road, who always thought he was free, seems...

Author: By Joseph B. White, | Title: Erratic Bruce | 7/11/1978 | See Source »

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