Word: pibroch
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Dates: during 1920-1929
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There developed in Scotland a warlike form of music called in Gaelic Piobaireachd in English, pibroch. It became the national classical music and had many variations. These were taught on the Island of Skye by one John M'Crummen, professor at the Skye Bagpipe-College. His pupils, illiterate Highland lads, could not read music so were taught verbal note-equivalents, thus...
When the clans gathered in old Scotland there were always bagpiping contests. At every public meeting the piper played to enliven the audience. In 18th century football matches, each team had its bag- piper who entered the field and played the pibroch during the game to inspirit the players. When the clans broke up the art died down, and for many a year was pursued only by individual musicians...
...classical selections in "Copey's" anthology there is, of course, a great plenitude. The grief of Achilles over the body of Patroclus; the death of Socrates; "Hark! Hark! the Lark" and "Full Fathom Five"; "Lycidas"; "To Althea from Prison"; Gulliver and the Lilliputians; Tristram and the Ass; the Pibroch of Donuil Dhu; "The Rime of the Ancient Mari-er" and "Kubla Khan"; Lamb's "Gentle Giantess"; Edward John Trelawny on how they burned Shelley's body; a great deal of Keats; more Tennyson; still more Thackeray and Browning and more Dickens than anyone...