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...living painters have had a fuller bag of tricks than 72-year-old Cuban-French Artist Francis Picabia. He began performing his sleight-of-hand at 15 when he copied his wealthy Cuban father's collection of Spanish paintings, replaced them one by one, and sold the originals to get money for his stamp collection. When Picabia senior finally caught up with his son, the boy got a sound thrashing, then on second thought a commendation for his cleverness. Since then Picabia has used his tricks alternately to demonstrate both his facility in art and his contempt...

Author: /time Magazine | Title: Art: Old Trickster | 4/10/1950 | See Source »

During World War I, Picabia, who had inherited his father's fortune, found his true artistic climate in the cynically irreverent Dada movement. As a Dadaist he took apart clocks and made pictures by tracing their inner organs, mounted a stuffed monkey on a board and called it Portrait of Cezanne, edited and contributed to magazines with such names as 291, 391, Cannibale...

Author: /time Magazine | Title: Art: Old Trickster | 4/10/1950 | See Source »

Last week Manhattan gallerygoers had evidence that old man Picabia had a new, if rather trivial, trick. Abandoning his garish pictures of expensive French real estate, he was painting wobbly-ringed dots on thick monochrome backgrounds. With three to 15 dots to a canvas, the pictures had all the monotony and none of the scientific interest of a series of astronomical photographs...

Author: /time Magazine | Title: Art: Old Trickster | 4/10/1950 | See Source »

...Says Picabia, who has been concentrating on dots in his Paris studio since last fall: "Ideas are like shirts. They get dirty after a while and then you have to change them." Toward serious art, he was as irreverent as ever: "I'd rather go to the Bal Tabarin than visit an art gallery. I'd rather have a seat in the Comedie-Fran-gaise than a seat in the Academe des Beaux-Arts...

Author: /time Magazine | Title: Art: Old Trickster | 4/10/1950 | See Source »

...Galerie de Beaune, it consisted of 39 thickly painted canvases depicting sections of expensive real estate in the south of France, all done in a brilliance of color and a gush of technique which suggested the ebullitions of a talented school girl. Explained tanned, bright-eyed, wisecracking Artist Picabia, with an air of deep subtlety: "I painted them because I wanted to." Picabia enthusiasts spoke in awed tones of the master's daring in risking banality by a return to nature. But a growing number of critics called it reversion to type, dismissed Picabia's middle period...

Author: /time Magazine | Title: Art: Back to Nature | 11/21/1938 | See Source »

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