Word: picassoã
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...publication as saying at the time of the building’s inauguration. As a piece of architecture, it was a mild success. At the end of the Exposition, Sert’s design would largely go forgotten, its fame overshadowed by the mural it housed—Picasso??��s famous “Guernica...
...they were “appalled––the art was regarded as the babblings of an old man,” according to Glimcher. He believed strongly in their merit, however, and not only did every piece sell, but the exhibition changed critical opinion about Picasso??��s last period. “It was great satisfaction to have brought the attention of the art world to something that I thought they had neglected,” he said...
...they were “appalled––the art was regarded as the babblings of an old man,” according to Glimcher. He believed strongly in their merit, however, and not only did every piece sell, but the exhibition changed critical opinion about Picasso??��s last period. “It was great satisfaction to have brought the attention of the art world to something that I thought they had neglected,” he said...
...pages of the notebook, and knew that there was a page identifying the various raised patterns--cross-hatch, dots, vertical lines. There were symbols to identify the top of the page and the doors in an architectural drawing. The tape directed me to a tactile drawing of one of Picasso??��s paintings, and my fingers falteringly followed the audio prompts...
...recent work is in its unorthodox, ethereal color. While his previous works were mostly painted in shades of chalky beige and rose with a careful accumulation of paint layers, (a derivative of the direct color technique he learned from Oskar Kokoschka), these paintings glow with blues worthy of Picasso??��s Blue Period and warm coppers worthy of Georgia O’Keefe’s canyons. In works like “The Mantle” and “Tuscan Shadows” Ablow’s objects are suffused with a ghostly iridescence. The color...