Word: picassos
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Dates: during 1970-1979
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...drawing. The drawing works because he so obviously possesses each style. It is imitation without flattery. As a dandy, Steinberg owns all the hats in his wardrobe. A still life like Belgian Air Mail 1971, is not a "cubist-type" drawing, a thing done in homage to Braque and Picasso. It is rather a drawing about cubism, seen as one stylistic mannerism among others in the art-historical supermarket...
...recognition in the U.S. for painters of his native France; in New York. After serving with distinction in the French, Greek and American armies of World War I, Seligman immigrated to the U.S. in 1921 and inherited his father's art business, Jacques Seligmann & Co. Germain championed Picasso, Seurat and Toulouse-Lautrec as well as earlier French artists whose work had escaped critical acclaim...
...writer was Pablo Picasso. If his sentiment seems odd (for someone who was to spend most of his life in France), we must blame the predominantly Francophile readings of art history for that. The real map of modernist culture in early 20th century Europe was not that of a capital surrounded by aesthetic provinces. It was more like a confederation: a scatter of nodes and local centers, engaged with one another and enjoying a persistent osmosis of ideas across the frontiers-Moscow, Berlin, Stockholm, Munich. Weimar, Barcelona, Vienna. Paris was uniquely hospitable to the avantgarde. But it had no monopoly...
...Mediterranean tradition. Egon Schiele's knobbly waifs, all etiolated limbs and pinched flesh, are the lineal descendants of the fallen Eves in Gothic art. The expressionist body is a scrag of mutton with big extremities, very unlike the prosperous Renaissance nudes that, however mutated, survived in Picasso and Matisse. Expressionism was an art of confession, directed against the impermeable crust of a deeply formalized society. It had few political ambitions-as German Dada did-but it did carry a strong current of social idealism. This did not show itself so much in Utopian schemes as in a vague aspiration...
...intelligent artist in Northern Europe, after the work of Picasso and Braque became internationally known, could sidestep it. But the expressionists were not fundamentally interested in the neutral subjects of cubism: the quotidian landscape of cafe table, brown guitar, pipe, bottle and chair. Franz Marc, who died in the trenches at 36, turned to the cubist vocabulary of facets, prisms and sliding rays to express his pantheistic view of nature, the Eden of happy animals: "We will no longer paint the forest or the horse as they please us or appear to us, but as they really...