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Then he started doing other pictorial styles as subjects of his own. Picasso, Fernand Leger, Carlo Carra, Max Beckmann and so on. Then kitsch Modernism, as imagined by cartoonists. The trouble with these versions of Modernist classics 'n' clinkers is their sameness. After a while, it isn't very interesting to be shown that just about anything can be turned into a Lichtenstein, congealed in his cryogenic style. There's none of the engaged imagination, the sense of a transforming mind at work, that one gets in, say, Miro's wild versions of a 17th century Dutch interior, down...

Author: /time Magazine | Title: The Image Duplicator | 11/8/1993 | See Source »

...that are rarely seen owing to their fragility and sensitivity to light. Among the highlights: Seurat's A Sunday on La Grande Jatte -- 1884, the masterpiece most closely identified with the institute; Rembrandt's Young Woman at an Open Half-Door; Degas's pastel On the & Stage; Cezanne sketchbooks; Picasso prints and Walker Evans photographs. Through...

Author: /time Magazine | Title: Traveler's Advisory- | 10/18/1993 | See Source »

Swatch produces six different types of watches, including "music call" alarm swatches featuring music composed by Jean Michel Jarre. Swatches designed by artists Keith Haring and Kiki Picasso are the most valuable, selling...

Author: By Jeffrey N. Gell, | Title: Swatch Dealers, Wearers Get Time of Day at Charles Hotel | 10/4/1993 | See Source »

...Komar of Orlando, Fla. said at the show that he has the largest collection of Swatches in North America. Komar said he has over 2,000 pieces worth over $2 million, including seven Kiki Picasso watches...

Author: By Jeffrey N. Gell, | Title: Swatch Dealers, Wearers Get Time of Day at Charles Hotel | 10/4/1993 | See Source »

...case in point is Jackson Pollock's early Mural, 1943, that magnificent wall of writhing protofigures, its passionate wristy drawing inspired by 1930s Picasso yet unmistakably leading to Pollock's mature style. But at the Royal Academy, it doesn't connect to a major "allover" painting by Pollock, because none could be borrowed. This problem repeats itself with other artists. Robert Rauschenberg's Canyon, 1959 -- that unforgettably poignant assemblage featuring a real, stuffed, blackened American eagle spreading its wings but equipped with a pillow in case it fails -- needed backing up with more powerful work than this show could obtain...

Author: /time Magazine | Title: Art: The View From Piccadilly | 10/4/1993 | See Source »

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