Word: picassos
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...also credited with democratizing fashion and empowering women with his strong, sexy silhouettes. He famously brought the vernacular of the street to high-fashion runways--with motorcycle jackets, peacoats and berets--and put women in men's clothing, specifically the tuxedo, or Le Smoking. Inspired by artists like Mondrian, Picasso and Matisse, he aimed to make women look beautiful and feel confident. He did both effortlessly. Born in Algeria, Saint Laurent went to work for Christian Dior in Paris, eventually taking over the fashion house after Dior's death in 1957 and starting his own label...
...1960s and famously brought street fashion to haute couture, showing such basic clothes as peacoats, biker jackets and beatnik-inspired looks on his high fashion runway. In 1966 he introduced his famous Le Smoking and became the first designer to dress women in silhouettes traditionally reserved for men. Paloma Picasso, a longtime friend and client, once said: "He put trousers into a woman's wardrobe and made our lives easier." Saint Laurent always claimed he not only wanted to make women look beautiful, but also to give them confidence...
Collage and assembly were techniques that had already been used meticulously by Picasso and Kurt Schwitters. Rauschenberg jammed his found objects together with a different kind of abandon. He produced industrial-strength "combines," big pieces in which worlds collided with a bang. Monogram, from 1955 to '59, featured a wooden platform on which stood a stuffed Angora goat with a tire around its waist. It was typical...
Rauschenberg was hardly the first to apply real-world materials to a canvas or to jam disparate things together. Collage had been invented by Pablo Picasso, perfected by Kurt Schwitters and fetishized by the Surrealists. But they all practiced it on a more intimate stage. Working in the era of the Abstract Expressionists and their jumbo canvases, Rauschenberg built his works to a larger scale and gave them that industrial-strength name: combines...
...putsch, Htein Lin, along with many other student activists, fled into the jungle. While living in a rebel camp, he happened to meet an older artist, who offered him drawing lessons using recycled newspaper or sticks in the sand and described the paintings of Van Gogh and Picasso. "I had some images of them in my mind," Htein Lin says, laughing. "Of course, it was nothing like the reality." After murderous factional violence broke out among the rebels, he returned to Rangoon, where he continued performing and drawing. In 1998, a fellow former dissident happened to mention his name...