Word: picassos
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...subjects of this show are mostly dancers and jugglers, manipulators of the fleeting instant in whose work Rothenberg detects a familiar cultural pathos, distantly related to Picasso's circus folks but less sentimental. Most of them are in rapid movement, spinning, doing plies and tossing eggs, and this contrasts oddly with the way they are painted. True, Rothenberg always liked to play on contradictions between the quick, snapshot nature of her chosen image (a galloping horse, a teetering bicyclist, Mondrian solemnly turning like a mantis on the dance floor) and the nuanced and obviously slow way it was presented...
...celebratory about the sight. It seems improbable that anyone (other, perhaps, than Stella) will manage to wring more from the constructivist impulse. If you want to see the common ancestor of these frenetic and space- grabbing objects, it is upstairs at MOMA, a little thing of rusty tin: Picasso's 1912 Guitar. Thinking about Picasso, Stella had come to realize that "it's not the presence of a recognizable figure in Picasso that in itself makes things real, but his ability to project the image and to have it be so physical, so painted...
...staged the display as part of a campaign against pornography. Dubbed "Pasqua's Sex Shop" by the press, the antiporn program quickly backfired. An uncooperative President Franois Mitterrand declared that he opposed "all forms of censorship," and former Culture Minister Jack Lang pointedly sent along an erotic engraving by Picasso to be included in the show...
...last week, as well they might. At 58 he suffered cardiac arrest following gall-bladder surgery. To the end, he remained surrounded by an aura of popular fame such as no other American artist had ever known in his or her lifetime -- a flash-card recognizability that almost rivaled Picasso's. Millions of Americans who could not have picked Jasper Johns or Henri Matisse from a police lineup could identify that pale, squarish, loose-lipped face with its acne, blinking gaze and silvery...
Quick, now: which had more influence on abstract art? Picasso or Jakob Bohme? Freud or Annie Besant? The theory of relativity or Robert Fludd's Utriusque cosmi? The answer, as anyone can attest after seeing the opening exhibition, "The Spiritual in Art: Abstract Painting 1890-1985," in the Los Angeles County Museum's new wing is in each case the latter. The good news, one might say, is that early 20th century abstract art, long regarded by a suspicious public as basically meaningless and without a subject, turns out to have a very distinct and pervasive one -- the last mutation...