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...Show of Shows Picasso, modernism's father, comes home to MOMA...

Author: /time Magazine | Title: Art 1980: Picasso, modernism's father, comes home to MOMA | 10/5/1983 | See Source »

...most crushing and exhilarating exhibition of work by a 20th century artist ever held in the U.S. Beginning this week, over the next four months nearly a million people will queue outside New York City's Museum of Modern Art to get a glimpse of it. Pablo Picasso, who died in 1973, is being honored in a show of nearly 1,000 of his works, some never exhibited before, drawn from collections the world over...

Author: /time Magazine | Title: Art 1980: Picasso, modernism's father, comes home to MOMA | 10/5/1983 | See Source »

What gives the exhibit its overwhelming character is the range and fecundity of Picasso's talent-the flashes of demonic restlessness, the heights of confidence and depths of insecurity, the relationships (alternately loving and cannibalistic) to the art of the past, but above all the sustained intensity of feeling. "Pablo Picasso: A Retrospective" contains good paintings and bad, some so weak that they look like forgeries (but are not), as well as a great many works of art for which the word masterpiece-exiled for the crime of elitism over the past decade-must now be reinstated...

Author: /time Magazine | Title: Art 1980: Picasso, modernism's father, comes home to MOMA | 10/5/1983 | See Source »

...Picasso never painted an abstract picture in his life. His instinct for the real world was so strong that he probably would have produced something woman-shaped every time he took brush in hand. Nevertheless, some of his cubist still lifes of 1911 run close to total abstraction. Objects were sunk in a twinkling field of vectors and shadows, solid lapping into transparency, things penetrating and turning away, leaving behind the merest signs for themselves-a letter or two, the bowl of a pipe, the sound hole of a guitar. This sense of multiple relationships was the core of cubism...

Author: /time Magazine | Title: Art 1980: Picasso, modernism's father, comes home to MOMA | 10/5/1983 | See Source »

After World War I, Picasso would depend wholly on himself and his feelings. The corollary was that Picasso gave feeling itself an extraordinary, self-regarding intensity, so that the most vivid images of braggadocio and rage, castration fear and sexual appetite in modern art still belong to the Spaniard. This frankness-allied with Picasso's power of metamorphosis, which linked every image together in a ravenous, animistic vitality-is without parallel among other artists...

Author: /time Magazine | Title: Art 1980: Picasso, modernism's father, comes home to MOMA | 10/5/1983 | See Source »

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