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...Visitors to this exquisite facility at Jerusalem's Israel Museum can sit inside a steel representation of the Hebrew word for love (ahava) and ponder its ironies as they look out upon the divided city. The piece is from American sculptor Robert Indiana, and joins works by Moore, Pablo Picasso, Emile-Antoine Bourdelle and others. The garden itself was designed by a sculptor, Isamu Noguchi, in the 1960s. Its original intent was to display the collection of famed Broadway producer Billy Rose, but over the decades the aims have expanded considerably. See www.imjnet.org.il...

Author: /time Magazine | Title: Sculpture Parks: Out in the Open | 2/25/2010 | See Source »

...Tinkerbell and the Playboy bunny, owe something to the old man's influential wet dream of classical form. All the same, the Renoir of this period - three very productive decades before his death in 1919 at the age of 78 - fascinated some of the chief figures of modernism. Picasso was on board; his thick-limbed "neoclassical" women from the 1920s are indebted to Renoir. So was Matisse, who had one eye on Renoir's Orientalist dress-up fantasies like The Concert, with its flattened space and overall patterning, when he produced his odalisques. Given that so much of late Renoir...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...down by Ingres with a jackhammer. By 1892, the year with which the LACMA show starts, he had drifted back toward a fluctuating Impressionist brushstroke. Firmly contoured or flickering, his softly sculpted women are as full-bodied as Doric columns. This was one of the qualities that caught Picasso's eye, especially after his first trip to Italy, in 1917. He would assimilate Renoir alongside his own sources in Iberian sculpture and elsewhere to come up with a frankly more powerful, even haunting, amalgam of the antique and the modern in paintings like Woman in a White Hat. (See TIME...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

Each of the 15 guestrooms channel Fendi's creativity and style. She used furnishings she discovered at antique fairs around the world to turn them into mini-museums, incorporating items like a 1930s Mies van der Rohe sofa bed, a rare Picasso foulard and green steel furniture by Italian designer Tobia Scarpa. The glamorous Crystal Room seems weightless with its transparent Fendi Perspex furniture. The black-and-white Karl Suite, decorated with 1920s Viennese armchairs, honors designer Karl Lagerfeld (Fendi's creative director) and displays dozens of his fashion sketches. (See the best travel gadgets...

Author: /time Magazine | Title: Roman Holiday: Villa Laetitia | 2/3/2010 | See Source »

...agreement that expires in 2011. Borja says that two years ago he learned that he was co-heir of that collection, and notes that he has not as yet co-signed any agreement with the museum. It is this inheritance, which includes important works by Monet, Degas, Picasso and Kandinsky, among other A-list artists, that is now at stake. (See pictures of the Renaissance's biggest artists on exhibition...

Author: /time Magazine | Title: Family Feud Imperils a Prized Spanish Art Collection | 12/9/2009 | See Source »

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