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...earn extra money by making documentary and commercial photographs of grand suburban houses. But it didn't take him long to see the larger possibilities of this new toy. During a trip to Europe a few years before, he was converted to the work of Picasso and Braque. (He was soon well enough established as a painter that six of his canvases were included in the Armory Show of 1913, which brought the work of the European avant-garde to America, along with a lasting public uproar over whether modern art was art.) What Sheeler gradually realized was that...

Author: /time Magazine | Title: A Thoroughly Modern Man | 11/18/2002 | See Source »

...sidewalk cafés and long walks along the Seine less than romantic. Luckily, the city has a tradition of outfoxing the fall gloom with the indoor dazzle of its museums, galleries and exhibition halls. This fall's lineup is exceptionally eclectic. In addition to the blockbuster Matisse and Picasso show at the Grand Palais and the big Max Beckmann retrospective at the Centre Pompidou, the season's new shows include Old Masters, guitar gods and great photographers. At the Musée d'Orsay, Manet/Velázquez, The Spanish Manner in the 19th Century documents the influence...

Author: /time Magazine | Title: From Gods to Masters | 11/3/2002 | See Source »

From the Trojan siege that spawned Homer's Iliad to the Luftwaffe bombing that inspired Picasso's Guernica, war has long served as a midwife for art. After the Soviet Union invaded Afghanistan in 1979, the ensuing horror found expression in the most traditional Afghan art form?the Oriental rug. Two Afghan tribal groups, the Chahar Aimaq and the Baloch, expanded their color palette and changed their subject matter to reflect the jarring reality that their homeland had become a battlefield. Over the next decade, they produced carpets featuring rocket launchers, machine guns, bombs, and helicopter gunships. In lesser numbers...

Author: /time Magazine | Title: Afghan War Weaves | 10/21/2002 | See Source »

...starts to seem like a ridiculous impossibility. (It also means you're very, very lonely.) And, honestly, that's the problem: the Museum of Sex undermines the real purpose of museums - which is to pick up women. Coming up with a line while you're staring at a Picasso is a lot easier than when you're looking at a statue of a murdered 19th century prostitute...

Author: /time Magazine | Title: Having Sex, Museum-Style | 10/15/2002 | See Source »

...first solo exhibition in Paris in 1931, the daily Le Figaro called painter Max Beckmann "something like a Germanic Picasso." Nobody would hazard such a comparison today, but the magnificent exhibition of Beckmann's work, which opened in September at Paris' Centre Pompidou, is bound to remind viewers what that critic of an earlier age was getting at. Like his Spanish rival, Beckmann was a protean creator with an immense vitality, rich artistic vocabulary and strong sense of mission. If his art has less influence today than Picasso's, it may be because it remained so rooted in the concrete...

Author: /time Magazine | Title: Grim Visions | 9/29/2002 | See Source »

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