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...good news about Fujitsu's new FlatScreen television is obvious: it's just over four inches thick, and it hangs on any wall as simply as a Picasso. A designer's dream, surely. But the less good news may be more important: the picture is murkier than images on most old-style television sets, and the Ivana-thin display costs, ahem, $25,000 (for the 42-in. incarnation, on sale at Hammacher Schlemmer). Nonetheless, TV analyst Allen Griffin says the set is a good omen. The breakthrough "plasma" technology that made these high-end boxes possible should push higher-quality...

Author: /time Magazine | Title: TECH WATCH: Feb. 24, 1997 | 2/24/1997 | See Source »

...Life of Picasso: 1907-1917 (Random House). In the second volume of his biography, John Richardson applies his skills as storyteller and art historian to a prodigious decade in Picasso's life. At the beginning a still struggling Spanish artist in Paris, he was by the end truly Picasso, a co-founder of Cubism and perhaps modern art's paradigmatic figure. Richardson presents a behind-the-scenes look at an apotheosis...

Author: /time Magazine | Title: BOOKS: THE BEST BOOKS OF 1996 | 12/23/1996 | See Source »

...KLAUS G. PERLS and AMELIA PERLS These Manhattan art dealers and collectors gave at least $60 million worth of 20th century masterpieces by Picasso, Modigliani, Braque and Leger to New York City's Metropolitan Museum...

Author: /time Magazine | Title: THE FINE ART OF GIVING | 12/16/1996 | See Source »

Cubism could not contain Picasso's restless energies for more than a handful of years, and the latter part of Richardson's second volume shows the artist moving toward a mining of classical images for his own work, trying, as always, "to cannibalize the art of the past and remake it in his own image...

Author: /time Magazine | Title: BOOKS: MAKING A MASTERPIECE | 12/2/1996 | See Source »

Richardson knew Picasso in the last decade or so before the artist's death in 1973, and his account has a firsthand authority that subsequent biographies will lack. Those casually interested in Picasso may be advised to start their reading elsewhere; Richardson is not teaching Picasso 101 here but a postgraduate seminar that brilliantly corrects and fills in small details of a big picture that students are expected to know. It is a pleasure to see Picasso, his lovers and friends and rivals in the heady days when art mattered more than anything and greatness was only a passionate dream...

Author: /time Magazine | Title: BOOKS: MAKING A MASTERPIECE | 12/2/1996 | See Source »

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